This is a test
- English
- ePUB (mobile friendly)
- Available on iOS & Android
eBook - ePub
Book details
Book preview
Table of contents
Citations
About This Book
1977 is usually associated with West German terrorism, but it witnessed another cultural watershed: punk music. A new reckoning with the legacy of political and aesthetic spaces, this book argues the centrality of punk music for understanding crises of state and terrorist violence, American racism and German fascism, and aesthetic production.
Frequently asked questions
At the moment all of our mobile-responsive ePub books are available to download via the app. Most of our PDFs are also available to download and we're working on making the final remaining ones downloadable now. Learn more here.
Both plans give you full access to the library and all of Perlegoās features. The only differences are the price and subscription period: With the annual plan youāll save around 30% compared to 12 months on the monthly plan.
We are an online textbook subscription service, where you can get access to an entire online library for less than the price of a single book per month. With over 1 million books across 1000+ topics, weāve got you covered! Learn more here.
Look out for the read-aloud symbol on your next book to see if you can listen to it. The read-aloud tool reads text aloud for you, highlighting the text as it is being read. You can pause it, speed it up and slow it down. Learn more here.
Yes, you can access Punk Rock and German Crisis by C. Shahan in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Music. We have over one million books available in our catalogue for you to explore.
Information
Subtopic
MusicINDEX
Page numbers in italics refer to figures.
1968, see student movements
1977, see āno futureā; progress; terrorism; time
Adorno, Theodor
Aesthetic Theory, 25, 39ā40, 45ā9, 58ā9, 77, 96, 139
and affirmative art, 7
on jazz, 6ā7
āLe prix du progrĆØs,ā 8, 78, 99
Minima Moralia, 53, 62, 66ā70, 73ā5, 79
and music, 6ā7, 9, 86
see also aesthetics
aesthetics, 6, 12, 18, 19, 23ā51, 36, 46, 48, 56ā7, 62, 66ā7, 82, 102ā3, 108, 112, 117
dĆ©tournement, 30ā1, 37, 42ā5, 144
and institutionality, 3ā6, 28ā34, 41, 44ā5, 60ā83, 128, 141
and lying, 31ā2, 78, 85, 139, 149
and motion, 62, 66, 76ā7, 82ā4
and normalization, 94
tensions in, 45, 86
and violence, 20, 27, 32, 38, 53ā84, 56, 57, 104ā9
see also music; production; time; United States of America; VergangenheitsbewƤltigung
affect, 67, 96, 120, 125
and 1968, 43, 53
and aesthetics, 37, 142
as boredom, 32, 128, 139, 144
as hate, 21, 73, 82, 130ā5, 137, 143ā9, 151ā2, 154
and music, 8ā10
and production, 99, 118, 125, 135, 146, 150ā1
and race, 101, 105ā9
and schizophrenia, 67, 72ā3, 82
see also āno future...
Table of contents
- Cover
- Title
- Introduction: Representing āNo Futureā
- OneĀ Ā Punk Poetics
- TwoĀ Ā Psycho Punk and the Legacies of State Emergency
- ThreeĀ Ā Post-punk Poaching, Subversive Consumerism, and Reading for Anti-racism
- FourĀ Ā After Punk: Cynicism and Social Corruptibility
- Notes
- Bibliography
- Index