Seeing Education on Film
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Seeing Education on Film

A Conceptual Aesthetics

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eBook - ePub

Seeing Education on Film

A Conceptual Aesthetics

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About This Book

This book argues that certain films have more to offer by way of conceptualising education than textual scholarship. Drawing on the work of the later Wittgenstein, it suggests that a shift in our philosophical focus from knowing to seeing can allow for ordinary educational phenomena (teachers, schools, children) to be appreciated anew. The book argues that cinema is the medium best placed to draw attention to this revaluation of the everyday, and particular films are presented as offering unique insights into the aesthetic nature of education as a concept. The book will be of primary interest to educators and educationalists alike, but its interdisciplinary nature should also appeal to those in the fields of film study, philosophy, and aesthetics.

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Year
2019
ISBN
9783030336325
Š The Author(s) 2019
A. GibbsSeeing Education on Filmhttps://doi.org/10.1007/978-3-030-33632-5_1
Begin Abstract

1. Introduction

Alexis Gibbs1
(1)
Faculty of Education, Health & Social Care, University of Winchester, Winchester, Hampshire, UK
Alexis Gibbs
End Abstract
Can we see education? Can we point at it? If I said to you, “Show me education!”—where would you begin? Would you walk me over to the gates of the nearest school and point at the building inside? Or go further by entering a classroom and gesturing at rows of desks full of smiling pupils? Or perhaps you would open a dictionary and highlight the various definitions given underneath? Or simply underline the word itself in type on a page: ‘education’?
Is the meaning of education in each, or any, of the uses above, clear? If I were as ignorant as my request suggests, then perhaps any of these responses would leave me feeling satisfied that I now know what education is. But are you satisfied with what you have been able to show me? Maybe you leave wishing that you had objected to the logic of what I’d asked for because the idea of education is not really compatible with an act of showing—it can’t be contained in a gesture. It can’t be seen. Or you go away puzzled, thinking instead that I must have been disingenuous in my demand, as I couldn’t possibly have made it in complete ignorance of the word (unless English was not my first language). Immediately, the meaning of education has become clouded by a whole set of contextual considerations, not to mention feelings of frustration, indignation, and insufficiency.
If we imagine conducting the experiment again, but this time with a young child making the request instead of me—how does this change what you do, and how you feel afterwards? Is there a good chance that gesturing at the school or classroom in this instance seems a more than adequate introduction to the word, given that you suspect that the child won’t have encountered it on many other occasions before? And perhaps you leave this time feeling less burdened as to whether you have done justice to the whole idea of education because you have less cause to believe that the child’s view will be narrowed or limited by this picture. Say the child had made the request because her parents had said to her, “Don’t underestimate the value of a good education”, and she hadn’t understood them. Would the pictures of a school or a lively classroom have contributed helpfully to her understanding? If, on the other hand, you had taken the child to a scuba-diving lesson, or handed her a dictionary, wouldn’t this understanding be very different? Wouldn’t you question whether you hadn’t left her a bit confused?

The Educationalist’s Dilemma

If I were to call this experiment an investigation into what education is, it might be tempting to say that the exercise had already gone awry. After all, it might be argued that education is simply not something that can be pointed at. And maybe nor should it, because in pointing at one thing we overlook or ignore another. Education, it might be argued, happens not just ‘out there’, in a world that can be pointed at, but ‘in here’, inside parts of me that your sight will never access (surely it would not work to try and point at my mind, my heart, or my soul in this instance?). To point at things in the way suggested doesn’t provide the complete picture of what we feel and understand education to be. But this then begs another question: can there be such a thing as a complete picture of education?
This is not just a simple dilemma of knowing what education is or isn’t. The pointing exercise picks up something of an existential dilemma in relation to our knowledge of the concept of education. We think we know enough in order to have a go at showing others what we take it to be, but we immediately feel dissatisfied with our efforts. Or perhaps we refuse to have a go, but then wonder about the futility of our purpose as people who should know something about education (I take it that the educationalist feels the dilemma of this particular pointing exercise with greater consternation than most).
A variation of this conceptual-existential dilemma is described early on in Wittgenstein’s Philosophical Investigations , with reference to a particular moment in the writings of St. Augustine:
Augustine says in the Confessions ‘quid est ergo tempus? si nemo ex me quaerat scio; si quaerenti explicare velim, nescio’
(PI, §89)
Augustine has stumbled on a similar conundrum to that of pointing at education: if no one asks me what time is, I have no trouble in knowing what it is; but as soon as someone asks me what it is, I doubt my ability to give a true account of it. Wittgenstein follows up on the quote from Augustine by describing the phenomenon as:
Something that we know when no one asks us, but no longer know when we are supposed to give an account of it, is something that we need to remind ourselves of. (And it is obviously something of which for some reason it is difficult to remind oneself.)
(ibid.)
This brief observation captures, in large part, the main thrust to this book’s enterprise. It captures, first of all, the fact that we all—in some sense—know what education is, enough to be able to talk about it. After all, it is a word commonly used and spoken of in the news, in parent-teacher meetings, and over dinner. There must be some common understanding, and it must have come from somewhere. But under scrutiny, it is a concept that can start to blur, and our tongues trip over themselves in trying to place it. Where has it come from if we can’t point directly at it? And do we really share in the same understanding if none of us would point at the same thing? So Wittgenstein’s observation also captures that moment of doubt, of hesitation, that arises when we are called upon to say what exactly education is (or point directly at it). How is it that education can hover so equivocally between certainty and doubt?
What the observations from both Augustine and Wittgenstein attest to is a kind of cognitive slippage that arises in our language from a tension between what is known on the one hand (i.e. time), and what is suddenly cast into doubt (i.e. our ability to express what time is) on the other. In Culture and Value, Wittgenstein tells of how he and Bertrand Russell would frequently encounter this slipperiness when trying to pin down concepts logically:
Again and again a use of the word emerges that seems not to be compatible with the concept that other uses have led us to form. We say: but that isn’t how it is!—it is like that though!—and all we can keep doing is repeating these antitheses.
(CV 30b, quoted in Bearn, 2012, p. 97)
Every time we try and discover consistency among things and across properties, their reality confronts us with other possibilities that refute that consistency, leading to what seems to be a slip ’twixt thought and lip. The pointing exercise—what Wittgenstein refers to as ostensive definition —also enacts this slippage for us. In many ways, none of the things pointed at are necessarily ‘right’ or ‘wrong’, they just have aspects to them that we all commonly recognise as being related to education (i.e. family resemblance), while failing to provide a complete picture of what something is.

“Education Is …”

The anxiety over what a thing ‘is’ comes about because we feel we ought to be able to grasp the essence of a thing, a complete picture which is not contingent upon the immediate situation in which we encounter it:
We ask: ‘What is language?’, ‘What is a proposition?’ And the answer to these questions is to be given once for all; and independently of any future experience.
(PI, §92)
The desire for this answer is the compulsion towards metaphysics, the hope that things somehow can be established beyond our experience of them, and can therefore be taken as stable and fixed. The educationalist will understandably want to fix this position also. What exactly is happening when the educationalist takes as a starting point in their discussion of the concept the position of “Education is …”? Let’s consider some examples:
Education is … a fostering, a nurturing, a cultivating, process. (Dewey , 1916, p. 10)
Education is the point at which we decide whether we love the world enough to assume responsibility for it. (Arendt , 1961, p. 196)
Education is what it is and not some other thing … But what it is is seldom made clear. (Peters , 1973, p. 82)
[A]ll education is … an aesthetic experience that teaches us both to see and to unsee, to hear and to unhear, to feel and unfeel in equal measure. (Lewis, 2012, p. 53)
In each of these instances, it is probably to say that what our educationalists are really doing in these expressions is simply omitting to say “I think that …” at the beginning. We are being presented with a point of view, much like the pointing exercise except in words rather than gestures: the meaning of education is being ostensively defined from within the sentence as a whole (the point at which we could say that education has no meaning outside of language). What we perhaps don’t know is the degree of assurance being given in each of these instances, the sense in which the worldview (Weltanschauung) being offered via the expression is strong or weak: “How does the degree of assurance come out? What consequences has it?” (OC, §66), asks Wittgenstein. We also don’t know whether these statements are truly meant to reveal the essence of the phenomenon that is education, or simply make an interesting claim upon our judgment. Am I being informed as to what education is, or asked to consider what it might be? And what if I feel as if the definition doesn’t quite ‘fit’ with my own understanding? Am I wrong, ignorant, or simply of a different opinion? And if it is the latter, does this make education always a matter of competing worldviews, or can there be agreement also?
Wittgenstein points to one of the troublesome things about ostensive definition in philosophical thinking: “the ostensive definition explains the use—the meaning—of the word when the overall role of the word in language is clear” (PI, §30, my emphasis). Definitions are helpful, in that they teach us the use of expressions, avert specific misunderstandings, and confirm shared understandings (Baker & Hacker, 2009). All three of these are essential to our continuing capacity to ‘speak together’ as part of a community with shared interests and ideals, rather than over or past one another. But sometimes the sharedness of words continues in a language where the interests and values attached to them are no longer shared. In this instance, what is shared is no longer a matter of meaning (as definition, as semantics), but a matter of what things mean to us, their meaningfulness. Wittgenstein’s concern throughout Philosophical Investigations is that we shouldn’t take language to stop at the need for clarity of definition, but that we should both be wary of letting mere observations turn themselves into scientific definitions (PI §79), and pay due attention to our capacity to use the same words in different contexts under different condition...

Table of contents

  1. Cover
  2. Front Matter
  3. 1. Introduction
  4. 2. Seeing Philosophically
  5. 3. Seeing Philosophy on Film
  6. 4. Seeing (Re-)education on Film
  7. 5. Seeing the Child on Film
  8. 6. Samira Makhmalbaf: The Filmmaker as Educationalist
  9. 7. A Postscript on Film Pedagogy: Context, Community, and Criticism
  10. Back Matter