Investigative Journalism
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Investigative Journalism

A Survival Guide

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eBook - ePub

Investigative Journalism

A Survival Guide

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About This Book

At a time of hyper-partisanship, media fragmentation and "fake news", the work of investigative journalism has never been more important. This book explores the history and art of investigative journalism, and explains how to deal with legal bullies, crooked politicians, media bosses, big business and intelligence agencies; how to withstand conspiracy theories; and how to work collaboratively across borders in the new age of data journalism. It also provides a fascinating first-hand account of the work that went into breaking major news stories including WikiLeaks and the Edward Snowden affair.

Drawing on over 40 years of experience with world-leading investigative teams at newspapers including the Guardian and The Washington Post, award-winning journalist David Leigh provides an illuminating insight into some of the biggest news events of the 20th and 21st centuries. This book is essential reading for anyone interested in the behind-the-scenes work of journalists and news organizations. It also acts as an essential practical toolkit for both aspiring and established investigative journalists.

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Information

Year
2019
ISBN
9783030167523
© The Author(s) 2019
D. LeighInvestigative Journalismhttps://doi.org/10.1007/978-3-030-16752-3_1
Begin Abstract

1. Introduction

David Leigh1  
(1)
City, University of London, London, UK
 
 
David Leigh
End Abstract
Investigative journalism in the public interest—the daily supply of truths about the world that would otherwise be hidden—only has a short history. The phenomenon originated largely in the nineteenth century. Thanks to the work of a later generation of writers, editors, and movie-makers—the Watergate generation—it went on to achieve an iconic status in the West and became seen as the lifeblood of democracy itself.
I believe that investigative journalists are vital to a decent society. But we need to acquire the right tools to survive in the job. For in the present century, this concept of truth-telling investigative journalism is under considerable threat. Government propagandists, repressive judges, corrupt officials, criminals, commercial bullies, and cynical tabloid proprietors—these people have always been the enemies of honest reporters, and their powers remain strong. But another hostile force is also growing. The idea of truth itself is under plausible attack.
Many Western journalists, myself included, were brought up with ideals that now feel almost naĂŻve. Believing that we help to make democratic societies work better, we were professionally occupied with attempts to distinguish fact from fiction. Our quest was to establish what actually was, or was not, the case. So we found it very jolting in the twenty-first century, when truth itself became a despised notion.
“Speak Truth to Power: A Quaker Search for an Alternative to Violence” was the title of a US pamphlet, published in the 1950s at the height of the Cold War with the Soviet Union. This group of pacifist authors wanted to tell the US military that a looming Third World War could be avoided. They wrote: “Our truth is an ancient one: that love endures and overcomes; that hatred destroys” [1]. This tough religious message about one kind of truth was subsequently adopted by US journalists, and its meaning morphed into a more glib job description. “Speak truth to power” became a largely unexamined slogan ministering to the professional self-importance of Western news reporters (see [2, 3]).
For what happens the other way round, when power speaks bullyingly to truth? US President Donald Trump’s uninhibited Twitter account appears to provide an unwelcome answer. Politicians and other powerful people who simply don’t believe in the usefulness of truth have learned to manipulate new online forms of mass media, conveying visceral messages that energise their supporters, even though those messages often consist of downright lies. At the same time, the professionals of the so-called mainstream media (MSM) are targeted for volleys of abuse that delegitimise them.
Ironically, this “post-truth” campaign to destroy factual journalism has friends on the left. Counter-cultural analysts and anarchists such as Julian Assange of Wikileaks seek to demonstrate that just as history is only written by the victors, so the “MSM” newspapers are all only written to peddle a capitalist narrative [4].
They are joined on the far right by a network of well-funded bloggers who denounce the mainstream media as merely a liberal conspiracy. On Breitbart or Infowars, activists paint a weird picture of themselves as the insurgent underdogs, victims of political correctness imposed upon them by the BBC or the Washington Post or CNN or the Guardian [5, 6]. “Reality” seemed to become a contestable thing. Have the post-modern claims that truth is only relative seeped out of the campus to culminate in the likely wreck of serious journalism?
When I started out as a reporter in the 1970s, life for my colleagues was a series of battles to publish what we were confident were simple and necessary truths. We were inspired by the heroic myth of Watergate. We took on powerful newspaper bosses like “Tiny” Rowland at the Observer and William Rees-Mogg at the Times, and led resistance from their staffs. We challenged Britain’s judges: and we halted trials with our revelations. We published supposedly confidential documents, broke the rules by interviewing jurors, and faced down accusations of libel and contempt of court. We defied the knee-jerk secrecy of the military and the intelligence agencies to reveal spies, to defend whistleblowers; and to expose blacklisting, bugging, nuclear scandals, propaganda, and assassinations. We shot down false conspiracy theories and attacked corrupt or lying politicians. One of the pivotal moments of my own career came when one such—cornered British cabinet minister Jonathan Aitken—publicly vowed in revenge to destroy me as “the cancer of bent and twisted journalism” [7]. (Luckily for me, he didn’t succeed.)
My colleagues and I, particularly on the Guardian and the Observer in London, two papers where I was head of investigations, saw ourselves in this way as foot-soldiers in a War on Lies. We won awards over 40 years of exposure journalism and felt our activities were self-evidently useful. We did not see ourselves as peddling either a leftist Marxist “truth” or a capitalist “truth”. The current fundamental assault on our professional values was something we were slow to see coming.
For now the “legacy media” are almost too weak to resist ideological attacks. The giant Internet tech firms have sucked the money out of them. No single organisation can nowadays easily produce massive, unanswerable investigations which dominate the culture, as the once-famous London Sunday Times Insight team used to do. Instead, much news is consumed in a fragmentary landscape where what money there is comes with clicks—websites essentially trolling their own readers to elicit almost unconscious, twitch reactions. The 24-hour news cycle feeds on stories printed with little oversight—replaceable, correctable, deletable, forgettable. Truth becomes almost irrelevant, when interesting fakes and lies get more clicks [8].
A toxic swirl of hyper-partisanship, media fragmentation, and “fake news” is polluting the information water supply. This makes life harder for credible journalism. The often-brilliant tradition of Western exposure reporting that we have all inherited may yet be eventually overwhelmed by its many opponents. But if such journalism were ever to disappear, ordinary citizens would be condemned to a bleak political future. For it will be a future in which no-one will bother any longer to ask the question: “Is it true?” Instead, people will merely demand “Whose side are you on?”
That wouldn’t be good news. But there are ways to resist these dangerous developments. I hope that from handbooks like this, journalists of all kinds can learn how to practise and defend genuine investigative reporting. In the uncertain world we inhabit, it is needed more than ever.

References

  1. 1.
    American Friends Service Committee. 2 March 1955. Speak Truth to Power A Quaker Search for an Alternative to Violence. Accessed October 28, 2018. http://​www.​quaker.​org/​sttp.​html.
  2. 2.
    Edelstein, David. Journalists Speak Truth to Power in ‘Spotlight’, 8 November, 2015. Accessed October 28, 2018. https://​www.​cbsnews.​com/​videos/​review-journalists-speak-truth-to-power-in-spotlight/​.
  3. 3.
    Stverak, Jason. Franklin Center for Government and Public Integrity. Accessed October 28, 2018. http://​americasfuture.​org/​investigative-journalism-speak-truth-to-power/​.
  4. 4.
    Leigh, David, and Luke Harding. 2011. Wikileaks: Inside Julian Assange’s War on Secrecy. London: Guardian Books.
  5. 5.
    Mulhall, Joe. 2017. It’s Just Not Politically Correct to Talk Openly About Islam’s Rape Culture. Guardian, March 7. Accessed October 28, 2018. https://​www.​theguardian.​com/​commentisfree/​2017/​mar/​07/​breitbart-threat-to-europe-postwar-liberal-consensus.
  6. 6.
    Snyder, Michael. 14 August 2013. 19 Shocking Examples of How Political Correctness is Destroying America. Infowars. Accessed October 28, 2018. https://​www.​infowars.​com/​19-shocking-examples-of-how-political-correctness-is-destroying-america/​.
  7. 7.
    Harding, Luke, David Leigh, and David Pallister. 1999. The Liar. London: Guardian Books.
  8. 8.
    Vosoughi, Soroush, Deb Roy, and Sinan Aral. 2018. The Spread of True and False News Online. Science. Accessed October 28, 2018. http://​science.​sciencemag.​org/​content/​359/​6380/​1146.
© The Author(s) 2019
D. LeighInvestigative Journalismhttps://doi.org/10.1007/978-3-030-16752-3_2
Begin Abstract

2. A Short History of Investigative Journalism

David Leigh1
(1)
City, University of London, London, UK
David Leigh
End Abstract

Living the Watergate Dream

There is a children’s playground game called Blind Man’s Buff. One child is blindfolded and feels around, trying to catch hold of the others and identify them. Naturally, all the other targets do their best to dodge out of the way. The exuberant journalist Bruce Page, when he headed Britain’s Sunday Times Insight Team during its heydays in the 1960s, used to say, with his touch of a blunt Australian accent, that investigative journalism was “Just like Blind Man’s Buff 
. played with open razors” [1]. His gruesome mental image of a set of old-fashioned cut-throat razors has long stuck in my mind. It catches just how difficult decent investigative journalism is to do well, and just how brutal and blundering the power of the media can be when it’s done badly. You’re attacking other people, and frequently drawing blood.
Yet when such journalism is carried out effectively, it is regarded in the west as a glamorous activity—so glamorous that the people (men, mostly) who do it get to be played by movie stars. Robert Redford, Dustin Hoffman [2], Al Pacino [3], Benedict Cumberbatch [4], Mark Ruffalo [5]—just to name a few. In these movies, the investigative reporter is a dogged—sometimes cantankerous—character, who exposes the truth virtually single-handedly...

Table of contents

  1. Cover
  2. Front Matter
  3. 1. Introduction
  4. 2. A Short History of Investigative Journalism
  5. 3. Two Case Histories: Jonathan Aitken and BAe
  6. 4. Investigative Journalists and Their Bosses
  7. 5. Journalists Versus the Law
  8. 6. Dealing with Spies and Spooks
  9. 7. Conspiracy Theories
  10. 8. Bad Practice and Good Practice
  11. 9. Cross-border Collaboration
  12. 10. Fake News in Mainstream Journalism
  13. 11. Trafigura: A Classic Investigation
  14. 12. Conclusion: A Golden Age for Investigative Journalism?
  15. Back Matter