Notational Experiments in North American Long Poems, 1961-2011
Stave Sightings
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About This Book
This book is a critical experiment that tracks the literary and poetic uses of musical notation and notational methods in North American long poems from the middle of last century to the contemporary moment. Poets have readily referred to their poems as "scores." Yet, in this study, Carruthers argues that the integration of musical scores in expansive works of this period does more work than previously thought, offering both resolution and escape from the demands placed on long poem form. The five case studies, on Langston Hughes, Armand Schwerner, BpNichol, Joan Retallack and Anne Waldman, offer approaches to reading literary scores in what might be described as a critical stave or a critical "fugue" of instances. In differing ways, musical notation and notational methods impact the form, time and sometimes the ethical and political stances of these respective long poems.
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Table of contents
- Preface
- Contents
- List of Figures
- Foreword
- Chapter 1: The Notational Template: Langston Hughesâ Ask Your Mama: 12 Moods for Jazz and the âHesitation Bluesâ
- Chapter 2: Long Poem Including Music: Reading the Score in Armand Schwernerâs âTablet XIIâ
- Chapter 3: âNo tationâ: The Scored Allegorical in BpNicholâs The Martyrology
- Chapter 4: Joan Retallackâs Errata 5uite and Register Reading
- Chapter 5: âMusic for Posterityâ: Afterlives for the Score in Anne Waldmanâs The Iovis Trilogy
- Afterword (Al Fine)
- Index