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Media, Performative Identity, and the New American Freak Show
About This Book
This book traces how the American freak show has re-emerged in new visual forms in the 21st century. It explores the ways in which moving image media transmits and contextualizes, reinterprets and appropriates, the freak show model into a "new American freak show." It investigates how new freak representations introduce narratives about sex, gender, and cultural perceptions of people with disabilities. The chapters examine such representations found in horror films, including a prolonged look at Freaks (1932) and The Texas Chainsaw Massacre (1974), documentaries such as Murderball (2005) and TLC's Push Girls (2012-2013), disability pornography including the pornographic documentary Sick: The Life and Death of Bob Flanagan Supermasochist (1997), and the music icons Marilyn Manson and Lady Gaga in their portrayals of disability and freakishness. Through this book we learn that the visual culture that has emerged takes the place of the traditional freak show but opens new channels of interpretation and identification through its use of mediated images as well as the altered freak-norm relationship that it has fostered. In its illumination of the relationship between normal and freakish bodies through different media, this book will appeal to students and academics interested in disability studies, gender studies, film theory, critical race theory, and cultural studies.
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Table of contents
- Media, Performative Identity, and the New American Freak Show
- Chapter 1 Introduction
- Chapter 2 A New American Freak Show
- Chapter 3 Horror Movies, Horror Bodies: Blurring theĀ Freak Body in Cinema
- Chapter 4 Reality, Normality, Sexuality: āAuthenticā Portrayals of the Freak
- Chapter 5 Freak Pornography and the Cultural Politics of Disabled Sexuality
- Chapter 6 Born This Way? Pop Cultureās Collision with the Freak of Nature
- Conclusion: Spooky Kids & Little Monsters: Disseminating the Freak Show
- Filmography
- References
- Index