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About This Book
This book offers an approach to film music in which music and visuals are seen as equal players in the game. The field of Film-Music Studies has been increasingly dominated by musicologists and this book brings the discipline back squarely into the domain of Film Studies.Blending Neoformalism with Gestalt Psychology and Leonard B. Meyer's musicology, this study treats music as a cinematic element andoffers scholars and students of both music and film a set of tools to help them analyse the wide ranging impact that music has in films.
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Yes, you can access Film/Music Analysis by Emilio Audissino in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Film & Video. We have over one million books available in our catalogue for you to explore.
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Film & VideoTable of contents
- Preface and Acknowledgements
- Contents
- List of Figures
- Chapter 1 Introduction: Who Is Entitled to Study Film Music?
- Part I Pars Destruens
- Chapter 2 The Not-so-fantastical Gap Between Music Studies and Film Studies
- Chapter 3 Recent Attempts to Bridge the Gap and Overcome a Separatist Conception
- Part II Pars Construens
- Chapter 4 The Neoformalist Proposal
- Chapter 5 Film/Music Analysis I: Music, Gestalt, and Audiovisual Isomorphism
- Chapter 6 Film/Music Analysis II: Functions and Motivations of Music
- Part III Pars Demonstrans
- Chapter 7 Five Illustrations of Film/Music Analysis
- Chapter 8 Close Encounters of the Third Kind and E.T. The Extraterrestrial: The Bonding Power of Music
- Chapter 9 Recapitulation and Final Thoughts
- Filmography
- Index