Historical Theory and Methods through Popular Music, 1970–2000
eBook - PDF

Historical Theory and Methods through Popular Music, 1970–2000

"Those are the New Saints"

  1. English
  2. PDF
  3. Available on iOS & Android
eBook - PDF

Historical Theory and Methods through Popular Music, 1970–2000

"Those are the New Saints"

Book details
Table of contents
Citations

About This Book

This book examines the post-1960s era of popular music in the Anglo-Black Atlantic through the prism of historical theory and methods. By using a series of case studies, this book mobilizes historical theory and methods to underline different expressions of alternative music functioning within a mainstream musical industry. Each chapter highlights a particular theory or method while simultaneously weaving it through a genre of music expressing a notion of alternativity—an explicit positioning of one's expression outside and counter to the mainstream. Historical Theory and Methods through Popular Music seeks to fill a gap in current scholarship by offering a collection written specifically for the pedagogical and theoretical needs of those interested in the topic.

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Yes, you can access Historical Theory and Methods through Popular Music, 1970–2000 by Kenneth L. Shonk, Jr.,Daniel Robert McClure in PDF and/or ePUB format, as well as other popular books in Social Sciences & Sociology. We have over one million books available in our catalogue for you to explore.

Information

Year
2017
ISBN
9781137570727

Table of contents

  1. Acknowledgements
  2. Contents
  3. Chapter 1 Introduction: The Process and Pedagogy of Historical Theory
  4. Chapter 2 “400 Years”: Modernity, The Longue Durée, and Jamaican Music
  5. Chapter 3 “This Charming Man”: Queer and Alternative Masculinities, 1970–1994
  6. Chapter 4 “Will the Wolf Survive?”: Punk Rock and Chicanao Identity in Los Angeles
  7. Chapter 5 A Perfect New Loop: Hip-Hop, Deindustrialization, and the Post-Civil Rights Era, 1973–2000
  8. Chapter 6 “The Pride of History”: Post-punk and the Aesthetics of Post-modernity
  9. Chapter 7 Waveless: MTV and the “Quiet” Feminism of the 1980s
  10. Chapter 8 Hiraeth: The Celtic Moment in 1980s Alternative Rock
  11. Chapter 9 “Feels Blind”: Counter-Hegemony in Alternative Rock During the ReaganThatcher Era
  12. Chapter 10 “No Depression”: The Nostalgia and Authenticity of Alternative Country
  13. Chapter 11 Conclusion
  14. Index