Historical Theory and Methods through Popular Music, 1970–2000
"Those are the New Saints"
- English
- PDF
- Available on iOS & Android
Historical Theory and Methods through Popular Music, 1970–2000
"Those are the New Saints"
About This Book
This book examines the post-1960s era of popular music in the Anglo-Black Atlantic through the prism of historical theory and methods. By using a series of case studies, this book mobilizes historical theory and methods to underline different expressions of alternative music functioning within a mainstream musical industry. Each chapter highlights a particular theory or method while simultaneously weaving it through a genre of music expressing a notion of alternativity—an explicit positioning of one's expression outside and counter to the mainstream. Historical Theory and Methods through Popular Music seeks to fill a gap in current scholarship by offering a collection written specifically for the pedagogical and theoretical needs of those interested in the topic.
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Table of contents
- Acknowledgements
- Contents
- Chapter 1 Introduction: The Process and Pedagogy of Historical Theory
- Chapter 2 “400 Years”: Modernity, The Longue Durée, and Jamaican Music
- Chapter 3 “This Charming Man”: Queer and Alternative Masculinities, 1970–1994
- Chapter 4 “Will the Wolf Survive?”: Punk Rock and Chicanao Identity in Los Angeles
- Chapter 5 A Perfect New Loop: Hip-Hop, Deindustrialization, and the Post-Civil Rights Era, 1973–2000
- Chapter 6 “The Pride of History”: Post-punk and the Aesthetics of Post-modernity
- Chapter 7 Waveless: MTV and the “Quiet” Feminism of the 1980s
- Chapter 8 Hiraeth: The Celtic Moment in 1980s Alternative Rock
- Chapter 9 “Feels Blind”: Counter-Hegemony in Alternative Rock During the ReaganThatcher Era
- Chapter 10 “No Depression”: The Nostalgia and Authenticity of Alternative Country
- Chapter 11 Conclusion
- Index