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Children's Publishing and Black Britain, 1965-2015
About This Book
This book examines a critical period in British children's publishing, from the earliest days of dedicated publishing firms for Black British audiences to the beginnings of the Black Lives Matter movement in the UK. Taking a historical approach that includes education acts, Black protest, community publishing and children's literature prizes, the study investigates the motivation behind both independent and mainstream publishing firm decisions to produce books for a specifically Black British audience. Beginning with a consideration of early reading schemes that incorporated Black and Asian characters, the book continues with a history of one of the earliest presses to publish for children, Bogle L'Ouverture. Other chapters look at the influence of community-based and independent presses, the era of multiculturalism and anti-racism, the effect of racially-motivated violence on children's publishing, and the dubious benefit of awards for Black British publishing. The volume will appeal to children's literature scholars, librarians, teachers, education-policy makers and Black British historians.
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Table of contents
- Childrenās Publishing and Black Britain, 1965-2015
- 1 Introduction: Weāre Here Because You Were ThereāThe Beginnings of Publishing for a Black British Audience
- 2 Postwar Education, Reading Schemes, and Race: Leila Berg and Nippers
- 3 Britain, Black Empowerment and Bogle LāOuverture: Independent Black Publishing of the 1960sā1980s
- 4 The Multicultural Education Movement, Anti-Racism and Publishing for Children, 1980ā1995
- 5 New Models for Engagement: Independent Publishing After 1990
- 6 Stephen Lawrence, Institutional Racism and Mary Seacole in the National Curriculum
- 7 Prizes, Awards and Publishing for a Black British Audience
- 8 Conclusion: Weāre Still Here Because You Were ThereāSo Now What?
- Index