
- 228 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
James Joyce’s Mandala
About this book
The Sanskrit word mandala can be translated as "sacred circle." Within the circle sits a microcosm of the universe and/or consciousness, repre-sented by icons. Eastern civilizations developed the spiritual-artistic practice of creating mandalas—with sand, paint, and architecture—to high technical sophistication, making manifest a geometry with layers of esoteric meaning for both the mandala artist and the initiated spectator. James Joyce's Mandala outlines and explains this iconic sacred geometry, and assesses to what extent Joyce's works of literature, in particular Finnegans Wake, can be understood as mandalic constructs. Using exam-ples from Dubliners to the Wake, we see how fundamental to Joyce's fiction is the issue of spiritual paralysis (a problem the mandala attempts to dissolve) and also how fascinated he was by geometric imagery and symmetry, the technical devices employed in mandala construction. This is the first book-length comparison of Joyce's work with the mythic structure of the mandala. Never discounting the richness of Joyce's genius, it uses his "collideorscape" to explore the secrets of the mandala principle as much as it uses mandala theory to illuminate his famed book of the night.
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Information
Table of contents
- Cover Page
- Half Title page
- Series Page
- Title Page
- Copyright Page
- Dedication
- Contents
- List of Figures
- Textual Note
- 1 Joyce and the Infinite Bardo
- 2 Mandalas and the Spiritual Refugee
- 3 Dubliners and the Samsaric Wheel
- 4 Psychic Architecture Part I
- 5 Psychic Architecture Part II
- 6 Mystic or Morbid?
- Bibliography
- Index
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