Black Iconography and Colonial (re)production at the ICC
eBook - ePub

Black Iconography and Colonial (re)production at the ICC

(In)dependence Cha Cha Cha?

  1. 272 pages
  2. English
  3. ePUB (mobile friendly)
  4. Available on iOS & Android
eBook - ePub

Black Iconography and Colonial (re)production at the ICC

(In)dependence Cha Cha Cha?

Book details
Table of contents
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About This Book

This book explores the reproduction of colonialism at the International Criminal Court (ICC) and examines international criminal law (ICL) vs the black body through an immersive format of art, music, poetry, and architecture and post-colonial/critical race theory lens.

Taking a multi-disciplinary approach, the book interrogates the operationalisation of the Rome Statute to detail a Eurocentric hegemony at the core of ICL. It explores how colonialism and slavery have come to shape ICL, exposing the perpetuation of the colonial, and warns that it has ominous contemporary and future implications for Africa. As currently envisaged and acted out at the ICC, this law is founded on deceptive and colonial ideas of 'what is wrong' in/with the world. The book finds that the contemporary ICL regime is founded on white supremacy that corrupts the law's interaction with the African. The African is but a unit utilised by the global elite to exploit and extract resources. From time to time, these alliances disintegrate with ICL becoming a retaliatory tool of choice. What is at stake is power, not justice. This power has been hierarchical with Eurocentrism at the top throughout modern history. Colonialism is seen not to have ended but to have regerminated through the foundation of the 'independent' African state. The ICC reproduces the colonial by use of European law and, ultimately, the over-representation of the black accused. To conclude, the book provides a liberated African forum that can address conflicts in the content, with a call for the end of the ICC's involvement in Africa. The demand is made for an African court that utilises non-colonising African norms which are uniquely suited to address local conflicts.

Multidisciplinary in nature, this book will be of great interest to students and scholars of international criminal law, criminal justice, human rights law, African studies, global social justice, sociology, anthropology, postcolonial studies, and philosophy.

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Yes, you can access Black Iconography and Colonial (re)production at the ICC by Stanley Mwangi Wanjiru in PDF and/or ePUB format, as well as other popular books in Droit & Droit pénal. We have over one million books available in our catalogue for you to explore.

Information

Publisher
Routledge
Year
2022
ISBN
9781000772227
Edition
1
Topic
Droit
Subtopic
Droit pénal

Table of contents

  1. Cover
  2. Half Title
  3. Series Page
  4. Title Page
  5. Copyright Page
  6. Dedication
  7. Table of Contents
  8. Preface
  9. Acknowledgments
  10. List of abbreviations
  11. 1 Introduction
  12. 2 (In)dependence Cha Cha Cha! Post-Colonialism, Situated
  13. 3 C’est quoi cette indépendance là? The Neo-liberal ICC
  14. 4 Le Jour D’apres? Black iconography at the ICC
  15. 5 Monsieur Cuvier Investigates: Africa as Testing Site
  16. 6 Umuntu Ngumuntu Ngabantu! Decolonised ICL?
  17. 7 À La Fin, Le Balayeur Balayé!
  18. 8 Epilogue
  19. Index