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- 320 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
eBook - ePub
Book details
Table of contents
Citations
About This Book
Using cine-ethnomusicology as a focus, Cineworlding introduces readers to ways of thinking eco-cinematically. Screens are omnipresent, we carry digital cinema production equipment in our pockets, but this screen-based technological revolution has barely impacted social science scholarship. Mixing existential phenomenological fiction about social science digital cinema research practice followed by theoretical reflection and discussion of methods, this book has emerged from a decade-long inquiry into cineworlding and a desire to help others produce digital media to engage creatively with the digital networks that surround us.
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Yes, you can access CineWorlding by Michael B. MacDonald in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Music Theory & Appreciation. We have over one million books available in our catalogue for you to explore.
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Table of contents
- Cover
- Half-Title
- Dedication
- Title
- Contents
- Acknowledgements
- Introduction: A cinematic style of thought
- 1 CineWorlding with musicsâ undercommons
- 2 A worlding proposition for/from an alternate reality
- 3 Living Flame of Love: Creative practice research and practical musicology
- 4 Virtual and actual in posthumanography
- 5 Diagrammatic posthumanography of Margøâs In Between
- 6 Bodying in intensive and extensive spaces: John Wort Hannam Is a Poor Man
- 7 Quartet 2 and affect vectoring
- 8 Crystal image in cinematic research-creation: Pimachihowan
- 9 The crowd behind the lens, WEâRE TOO LOUD
- 10 Eldersâ Room: The opportunities and challenges of decoloniality
- 11 Activist minor cinema
- Notes
- Bibliography
- Index
- Copyright