Composers and their Songs, 1400–1521
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Composers and their Songs, 1400–1521

  1. 348 pages
  2. English
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eBook - ePub

Composers and their Songs, 1400–1521

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About This Book

This second selection of essays by David Fallows draws the focus towards individual composers of the 'long' fifteenth century and what we can learn about their songs. In twenty-one essays on the secular works of composers from Ciconia and Oswald von Wolkenstein via Binchois, Ockeghem, Busnoys and Regis to Josquin, Henry VIII and Petrus Alamire, one repeated theme is how a consideration of the songs can help the way to a broader understanding of a composer's output. Since there are more song sources and more individual pieces now available for study, there are more handles for dating, for geographical location and for social alignment. Another theme concerns the various different ways in which particular songs have their impact on the next generations. Yet another concerns the authorshop of poems that were set to music by Binchois and Ciconia in particular. A group of essays on Josquin were parerga to the author's edition of his four-voice secular music for the New Josquin Edition (2005) and to his monograph on the composer (2009).

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Information

Publisher
Routledge
Year
2023
ISBN
9781000947465
Edition
1
Topic
History
Index
History

Table of contents

  1. Cover
  2. Series
  3. Half Title
  4. Title
  5. Copyright
  6. Dedication
  7. Contents
  8. Preface
  9. Acknowledgements
  10. I Ciconia's last songs and their milieu
  11. II Ciconia's influence
  12. III Two equal voices: a French song repertory with music for two more works of Oswald von Wolkenstein
  13. IV Binchois and the poets
  14. V Ballades by Dufay, Grenon and Binchois: the Boorman fragment
  15. VI Leonardo Giustinian and Quattrocento polyphonic song
  16. VII Johannes Ockeghem: the changing image, the songs and a new source
  17. VIII Ockeghem as a song composer: hints towards a chronology
  18. IX The life of Johannes Regis, ca. 1425 to 1496
  19. X Busnoys and the early fifteenth century: a note on L'ardant desir and Faictes de moy
  20. XI ‘Trained and immersed in all musical delights’: towards a new picture of Busnoys
  21. XII Jean Molinet and the lost Burgundian court chansonniers of the 1470s
  22. XIII Walter Frye's Ave regina celorum and the Latin song style
  23. XIV Who composed Mille regretz?
  24. XV What happened to El grillo
  25. XVI Influences on Josquin
  26. XVII Josquin and popular songs
  27. XVIII Josquin and Il n'est plaisir
  28. XIX Petrucci's Canti volumes: scope and repertory
  29. XX Alamire as a composer
  30. XXI Henry VIII as a composer
  31. Additions and Corrections
  32. Index of Names and Texts
  33. Index of Manuscripts