Electrographic Architecture
New York Color, Las Vegas Light, and America's White Imaginary
- 320 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
Electrographic Architecture
New York Color, Las Vegas Light, and America's White Imaginary
About This Book
Bridging histories of technology, media studies, and aesthetics, Electrographic Architecture forges a critical narrative of the ways in which illuminated light and color have played key roles in the formation of America's white imaginary. Carolyn L. Kane charts the rise of the country's urban advertisements, light empires, and neoclassical buildings in the early twentieth century; the midcentury construction of polychromatic electrographic spectacles; and their eclipse by informatically intense, invisible algorithms at the dawn of the new millennium. Drawing on archival research, interviews, and visual analysis, Electrographic Architecture shows how the development of America's electrographic surround runs parallel to a new paradigm of power, property, and possession.
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Table of contents
- Title
- Copyright
- Epigraph
- Contents
- List of Illustrations
- Introduction: White like No Other
- 1.  Synthetic White, 10,000 BCâ1700 AD
- 2.  Edisonâs White Light Empire, 1750â1881
- 3.  The âGreat White Way,â 1880sâ1910
- 4.  Douglas Leighâs Times Square Spectaculars, 1930â1960
- 5.  The Young Electric Sign Company and Las Vegas Neon, 1920â1970
- 6.  Jenny Holzerâs Light Art as Urban Critique, 1970â1990
- Conclusion: Chromophobia in the Smart City, 1992â2022
- Acknowledgments
- Notes
- Bibliography
- Index