The canzone villanesca alla napolitana
eBook - ePub

The canzone villanesca alla napolitana

Social, Cultural and Historical Contexts

  1. 348 pages
  2. English
  3. ePUB (mobile friendly)
  4. Available on iOS & Android
eBook - ePub

The canzone villanesca alla napolitana

Social, Cultural and Historical Contexts

Book details
Table of contents
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About This Book

The printed debut of the canzone villanesca alla napolitana occurred on 24 October 1537, in Naples. Fifteen anonymous 'rustic songs' were published by Johannes de Colonia in a pocket-sized anthology with a cover featuring three women with hoes tilling the soil. The adjective villanesca (from villano or peasant) in the strict sense of the word means rustic or crude, but in this new context it also intimates that Neapolitan poet-musicians had been affected by the instinctive lyrical traditions of everyday people. The articles in this volume trace the Neapolitan origins of this song form, and its subsequent development as it spread quickly throughout Italy in a succession of editions published in Venice and Rome, providing a diverse repertory of lively songs to amuse the privileged that held and attended academies. Several studies focus on key figures in this process, notably Ferrante Sanseverino, Prince of Salerno, and Orlando di Lasso. At the same time the author relates these developments to the contemporary political context, notably the rivalry of Spain and France for control of the Kingdom of Naples.

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Yes, you can access The canzone villanesca alla napolitana by Donna G. Cardamone in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Music. We have over one million books available in our catalogue for you to explore.

Information

Publisher
Routledge
Year
2023
ISBN
9781000947434
Edition
1
Subtopic
Music

Table of contents

  1. Cover
  2. Series Page
  3. Half Title Page
  4. Frontmatter
  5. Title Page
  6. Copyright Page
  7. Table of Contents
  8. Introduction
  9. Acknowledgements
  10. I The debut of the canzone villanesca alla napolitana
  11. II Musical and metrical forms of the canzone villanesca and villanella alla napolitana
  12. III Madrigali a tre et arie napolitane: a typographical and repertorial study
  13. IV The Prince of Salerno and the dynamics of oral transmission in songs of political exile
  14. V Orlando di Lasso and pro-French factions in Rome
  15. VI A colorful bouquet of arie napolitane
  16. VII The salon as marketplace in the 1550s: patrons and collectors of Lasso’s secular music
  17. VIII Giulio Bonagiunta: a composer with a progressive attitude
  18. IX Orlando di Lasso et al.: a new reading of the Roman villanella book (1555)
  19. X Erotic jest and gesture in Roman anthologies of Neapolitan dialect songs
  20. Index of First Lines
  21. Index