- 224 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
About This Book
A cultural imaginary is a structuring space through which collective understandings of cultural and society phenomena are formed, reproduced, and accepted as the norm. Reading the Walls of BogotĂĄ uses graffiti and street art to explore the urban imaginaries of violence in BogotĂĄ, Colombia. These artistic forms are produced and received in different ways in different areas of the city and offer an insight into citizens' everyday experiences and perceptions of violence from the political, to the personal, to that of structural inequality. Through graffiti, in which critiques of memory, space, politics, and aesthetics are embedded, artists and their viewers form vernacular theories through which they interpret the world and the spaces they inhabit. By focusing on creative expression, Alba Griffin shows how BogotĂĄ's residents respond to imaginaries of violence, how they critique the norms, how they appropriate space to challenge or negotiate violence, and how they push back against inequality.
Frequently asked questions
Information
Table of contents
- Cover Page
- Title Page
- Dedication
- Copyright Page
- Contents
- Acknowledgments
- Introduction. The Importance of Diego Felipe Becerra
- One. Conceptualizing Violence, the Imaginary, and Graffiti and Street Art in BogotĂĄ
- Two. The Everydayness of Political Violence: Calle 26 and the Struggle for Memory
- Three. The Spatial Politics of Violence: Beautification in Ciudad BolĂvar and La Perseverancia
- Four. The Politics of Everyday Violence: Aesthetic Hierarchies in La Candelaria
- Conclusion
- Appendix. Interviews and Focus Groups
- References
- Index