- 40 pages
- English
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Felicien Rops
About This Book
Felicien Rops (1833-1898) is a very surprising artist. Engraver and drawer of exception, Felicien Rops captures and anticipates, with astonishing talent, the female body with great modernity. Abandoning the conventional forms of the time, the artist creates a world full of humour, tenderness and, at times, insolence for the jubilation of the spectator's eye. Many of Rops' most famous works dealt with erotic and sensual themes, often depicting nudes or scenes of debauchery. He also frequently incorporated elements of the supernatural and the macabre, such as skeletons or demons, into his works. Some of his pieces were overtly political or social in nature, often criticizing the hypocrisy of the Church or the bourgeoisie.Overall, Rops' art is complex, multifaceted, and often confrontational. It challenged societal norms and pushed the boundaries of what was considered acceptable in art during his time.
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Table of contents
- 1. Photograph of FĂ©licien Rops, 1879.
- 2. Self-portrait, ca. 1860, pencil drawing, 16,2 x 11,2 cm.
- 7. The Model, ca. 1864. Charcoal, watercolour and gouache, 28,5 x 22 cm, Brussels.
- 14. Parisine, 1867. Etching, drypoint and aquatint, 56 x 36 cm, Felicien Rops Museum, Namur, Belgium.
- 21. LâAmour MouchĂ©, 1878-1881. Sketch in the collection: Cent lĂ©gers croquis pour rĂ©jouir les honnĂȘtes gens, 21.8 x 14.8 cm, Namur.
- 30. Parodie Humaine, 1878-1881. Sketch in the collection: Cent lĂ©gers croquis pour rĂ©jouir les honnĂȘtes gens, 22 x 14,5 cm. Namur.
- 42. In the Wings, ca. 1879-1881. Coloured pencil, pastel and watercolour, 22 x 14.5 cm. Collection privée, Brussels.
- 52. Les Sataniques: The Idol, 1882. Heliogravure, 28.2 x 20.9 cm. Felicien Rops Museum, Namur, Belgium.
- 53. Les Sataniques: The Sacrifice, 1882. Watercolour, pencil and gouache, 28.5 x 18 cm. Felicien Rops Museum, Namur, Belgium.
- 54. Les Diaboliques: le Dessous de Cartes dâune Partie de Whist (The Hidden Side of a whist Game), 1884. Heliogravure.
- 55. Les Diaboliques: Le Bonheur dans le crime, 1884. Pencil drawing, 28,5 x 19 cm.