Window Shopping
eBook - ePub

Window Shopping

Cinema and the Postmodern

  1. 287 pages
  2. English
  3. ePUB (mobile friendly)
  4. Available on iOS & Android
eBook - ePub

Window Shopping

Cinema and the Postmodern

Book details
Table of contents
Citations

About This Book

Departing from those who define postmodernism in film merely as a visual style or set of narrative conventions, Anne Friedberg develops the first sustained account of the cinema's role in postmodern culture. She explores the ways in which nineteenth-century visual experiences—photography, urban strolling, panorama and diorama entertainments—anticipate contemporary pleasures provided by cinema, video, shopping malls, and emerging "virtual reality" technologies. Comparing the visual practices of shopping, tourism, and film-viewing, Friedberg identifies the experience of "virtual" mobility through time and space as a key determinant of postmodern cultural identity. Evaluating the theories of Jameson, Lyotard, Baudrillard, and others, she adds critical insights about the role of gender and gender mobility in the configurations of consumer culture. A strikingly original work, Window Shopping challenges many of the existing assumptions about what exactly post modern is. This book marks the emergence of a compelling new voice in the study of contemporary culture. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1994.
Departing from those who define postmodernism in film merely as a visual style or set of narrative conventions, Anne Friedberg develops the first sustained account of the cinema's role in postmodern culture. She explores the ways in which nineteenth-centu

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Information

Year
2023
ISBN
9780520915510

Table of contents

  1. Cover
  2. Title
  3. Copyright
  4. CONTENTS
  5. ■ PREFACE
  6. ACKNOWLEDGMENTS
  7. ■ INTRODUCTION: LOOKING BACKWARD—AN INTRODUCTION TO THE CONCEPT OF “POST”
  8. ■ THE MOBILIZED AND VIRTUAL GAZE IN MODERNITY: FLÂNEUR/FLÂNEUSE
  9. ■ THE PASSAGE FROM ARCADE TO CINEMA
  10. THE END OF MODERNITY: WHERE IS YOUR RUPTURE?
  11. ■ CONCLUSION: SPENDING TIME
  12. ■ POST-SCRIPT: THE FATE OF FEMINISM IN POSTMODERNITY
  13. ■ NOTES
  14. ■ INDEX