- 240 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
About This Book
In this book, Amy R. Wong unravels the colonial and racial logic behind seemingly innocuous assumptions about "speech": that our words belong to us, and that self-possession is a virtue. Through readings of late-Victorian fictions of empire, Wong revisits the scene of speech's ideological foreclosures as articulated in postcolonial theory. Engaging Afro-Caribbean thinkers like Ădouard Glissant and Sylvia Wynter, Refiguring Speech reroutes attention away from speech and toward an anticolonial poetics of talk, which emphasizes communal ownership and embeddedness within the social world and material environment.
Analyzing novels by Robert Louis Stevenson, Bram Stoker, George Meredith, Joseph Conrad, and Ford Madox Ford, Wong refashions the aesthetics of disordered speechâsuch as parroting, eavesdropping, profuse inarticulacy, and dysfluencyâinto alternate forms of communication that stand on their own as talk. Wong demonstrates how late nineteenth-century Britain's twin crises of territorializationâof empire and of new mediaâspurred narrative interests in capturing the sense that speech's tethering to particular persons was no longer tenable. In doing so, Wong connects this period to US empire by constructing a genealogy of Anglo-American speech's colonialist and racialized terms of proprietorship. Refiguring Speech offers students and scholars of Victorian literature and postcolonial studies a powerful conceptualization of talk as an insurgent form of communication.
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Table of contents
- Cover
- Title Page
- Copyright
- Contents
- Acknowledgments
- Introduction
- One: Parroting With and Eavesdropping On Robert Louis Stevenson
- Two: Multilingual Talk and Bram Stokerâs White Cosmopolitics
- Three: George Meredithâs Profuse Inarticulacy
- Four: Joseph Conrad and Ford Madox Fordâs Dysfluent End of the World
- Conclusion
- Notes
- Bibliography
- Index