Brahms's Elegies

The Poetics of Loss in Nineteenth-Century German Culture

Nicole Grimes

• Publisher: Cambridge University Press
• Year: 2019
• ISBN:
  9781108689762
• Topic: Media & Performing Arts
• Subtopic: Music History & Criticism

Nicole Grimes provides a compellingly fresh perspective on a series of Brahms's elegiac works by bringing together the disciplines of historical musicology, German studies, and cultural history. Her exploration of the expressive potential of Schicksalslied, Nänie, Gesang der Parzen, and theVier ernste Gesängereveals the philosophical weight of this music. She considers the German tradition of thepoetics of loss that extends from the late-eighteenth-century texts by Hölderlin, Schiller and Goethe set by Brahms, and includes other philosophical and poetic works present in his library, to the mid-twentieth-century aesthetics of Adorno, who was preoccupied as much by Brahms as by their shared literary heritage. Her multifaceted focus on endings - the end of tonality, the end of the nineteenth century, and themes of loss in the music - illuminates our understanding of Brahms and lateness, and the place of Brahms in the fabric of modernist culture.

Table of contents

• Cover
• Half-title page
• Series page
• Title page
• Copyright page
• Dedication
• Contents
• List of Figures
• List of Music Examples
• List of Tables
• Acknowledgements
• Introduction
• 1 Brahms’s Ascending Circle: Hölderlin and Schicksalslied
• 2 The Ennoblement of Mourning: Nänie and the Death of Beauty
• 3 A Disembodied Head for Mythic Justice: Gesang der Parzen
• 4 The Last Great Cultural Harvest: Nietzsche and the Vier ernste Gesänge
• 5 The Sense of an Ending: Music’s Return to the Land of Childhood
• Epilogue
• Appendix Translation of Theodor Adorno, ‘Brahms aktuell’ (1934)
• Bibliography
• Index