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Rethinking Difference in Music Scholarship
About This Book
Two decades after the publication of several landmark scholarly collections on music and difference, musicology has largely accepted difference-based scholarship. This collection of essays by distinguished contributors is a major contribution to this field, covering the key issues and offering an array of individual case studies and methodologies. It also grapples with the changed intellectual landscape since the 1990s. Criticism of difference-based knowledge has emerged from within and outside the discipline, and musicology has had to confront new configurations of difference in a changing world. This book addresses these and other such challenges in a wide-ranging theoretical introduction that situates difference within broader debates over recognition and explores alternative frameworks, such as redistribution and freedom. Voicing a range of perspectives on these issues, this collection reveals why differences and similarities among people matter for music and musical thought.
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Table of contents
- Cover
- Half-title
- Title page
- Copyright information
- Dedication
- Table of contents
- List of figures
- Contributors
- Acknowledgments
- 1 Introduction: rethinking difference
- 2 He said, she said? Men hearing women in Medicean Florence
- 3 Race, empire, and early music
- 4 What Mr. Jefferson didn't hear
- 5 Difference and Enlightenment in Haydn's instrumental music
- 6 Different masculinities: androgyny, effeminacy, and sentiment in Rossini's La donna del lago
- 7 Composing racial difference in Madama Butterfly: tonal language and the power of Cio-Cio-San
- 8 Maurice Ravel's Chants populaires and the exotic within
- 9 "Diving into the earth": the musical worlds of Julius Eastman
- 10 Synthesizing difference: the queer circuits of early synthpop
- 11 "Pranksta rap": humor as difference in hip hop
- 12 Race and the aesthetics of vocal timbre
- 13 Beneath difference; or, humanistic evolutionism
- 14 Difference unthought
- Index