Gender, Mediation, and Popular Education in Venice, 1760–1830
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Gender, Mediation, and Popular Education in Venice, 1760–1830

  1. 272 pages
  2. English
  3. ePUB (mobile friendly)
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eBook - ePub

Gender, Mediation, and Popular Education in Venice, 1760–1830

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About This Book

Gender, Mediation, and Popular Education in Venice, 1760–1830, examines how women with enough cultural capital could turn their identity as representatives of "the public" – those on the receiving end of education – to their advantage, producing knowledge under the guise of relaying it.

Author Susan Dalton demonstrates how elite women turned their reputation for ignorance into an opportunity to establish themselves as published authors at the dawn of the nineteenth century in Venice. Many literary figures saw women as a group in need of education. By deploying essentialist understandings of femininity, whereby women possessed superior moral virtue but deficient rationality, these women entered the world of print as cultural mediators, identified by contemporaries as key players in the social projects of public education and moral edification central to the European Enlightenment. Focussing on Isabella Teotochi Albrizzi and Giustina Renier Michiel, both renowned Venetian authors, Dalton introduces two well-known Italian women of letters to English-speaking scholars, re-evaluates the impact of their writing in Italy and raises questions about female authorship across Europe, broadens our conceptions of gender norms, and enriches our knowledge of a little-known period of women's writing in Italy.

This volume is an essential resource for students and scholars alike interested in women's and gender history, early modern history and social and cultural history.

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Information

Publisher
Routledge
Year
2023
ISBN
9781000886030
Edition
1

Table of contents

  1. Cover
  2. Half Title
  3. Series Page
  4. Title Page
  5. Copyright Page
  6. Contents
  7. List of Figures
  8. Acknowledgements
  9. A Note to the Reader
  10. Introduction
  11. 1 Gender, Aesthetics, and the Public in Venice
  12. 2 Women Writing Portraits
  13. 3 Editing and Interpreting Character in the Theatre
  14. 4 The Value of the Female Dilettante
  15. 5 Women and History
  16. Conclusion
  17. Selected Bibliography
  18. Index