Sadakichi Hartmann
eBook - ePub

Sadakichi Hartmann

Critical Modernist

  1. 423 pages
  2. English
  3. ePUB (mobile friendly)
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eBook - ePub

Sadakichi Hartmann

Critical Modernist

Book details
Table of contents
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About This Book

Brilliant and controversial, art critic Sadakichi Hartmann wrote copiously about American and European art and the shaping of American culture during the decades from 1890 to 1910. Jane Weaver has recovered and assembled over fifty of Hartmann's critical writings from influential, though often obscure, turn-of-the-century journals. These reviews and theoretical essays not only provide some of the earliest known criticism of important artists and photographers of the period, but also make Hartmann's fundamental—and uniquely American—definition of modernism available to students of art and cultural history. A most useful adjunct to the text is a complete bibliography of Hartmann's writings on art, as well as an annotated checklist of all the artists treated by Hartmann in this book. Sadakichi Hartmann (1867-1944), half German, half Japanese, learned the American cast of mind and heart as a beloved young disciple of the aged Walt Whitman. Reflecting the poet's zealous vision, Hartmann's piercing commentaries on the art centers of Boston and New York offer unparalleled documentation of the years before and after 1900. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1991.
Brilliant and controversial, art critic Sadakichi Hartmann wrote copiously about American and European art and the shaping of American culture during the decades from 1890 to 1910. Jane Weaver has recovered and assembled over fifty of Hartmann's critical

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Information

Year
2023
ISBN
9780520909588
Edition
1
Topic
Art

Table of contents

  1. Cover
  2. Title
  3. Copyright
  4. CONTENTS
  5. ILLUSTRATIONS
  6. ACKNOWLEDGMENTS
  7. INTRODUCTION
  8. CHRONOLOGY
  9. Boston Toward the End of the Eighties
  10. How an American Art Could Be Developed (Suggestions for a Platform)22
  11. A Tuesday Evening at Stephane Mallarme’s
  12. A National American Art
  13. [On Women as Artists]
  14. Boston Art Gossip
  15. Buddha’. Scene XII27
  16. La Modernité in Painting
  17. Art Photography in Its Relationship to Painting
  18. A Few Reflections on Amateur and Artistic Photography
  19. [On the Necessity of Art Criticism in America]
  20. [On the Solitude of American Artists]
  21. New York Artists’ Models
  22. The New York Camera Club
  23. Color and Texture in Photography
  24. Subject and Treatment
  25. On Pictorial and Illustrative Qualities
  26. The “Flat-Iron” Building— an Esthetical Dissertation
  27. Repetition, with Slight Variation
  28. The Value of the Apparently Meaningless and Inaccurate
  29. Aesthetic Activity in Photography
  30. White Chrysanthemums
  31. A Monologue
  32. On the Lack of Culture
  33. The Technique of Mystery and Blurred Effects
  34. The Unconventional in Portrait Photography
  35. The Inquisitorial System
  36. From “The Decadence of Sculpture”
  37. Unphotographic Paint: The Texture of Impressionism
  38. [The Scarlet Departure]
  39. “The Younger American Painters” and the Press
  40. The American Picture World
  41. On Originality
  42. Broken Melodies
  43. The Esthetic Value of Cubism
  44. A Contribution to the Technique of Draughtsmanship: The Relation of Drawing to Handwriting
  45. On Pictorial Projection
  46. [On the Process of Selection]31
  47. Thomas W. Dewing
  48. [On Arthur B. Davies]
  49. [On Thomas Eakins and Winslow Homer]
  50. [On Claude Monet]
  51. [On William Merritt Chase]
  52. A Visit to A. P. Ryder!
  53. [On Thomas Eakins]
  54. [On Robert Henri]
  55. [On Winslow Homer]
  56. [On Augustus St. Gaudens]
  57. Alfred Stieglitz: An Art Critic’s Estimate
  58. The Split in the Art Society
  59. A Chat on New York Sculptors
  60. Puvis de Chavannes
  61. Boston Artists
  62. [On Childe Hassam]
  63. Eduard J. Steichen, Painter-Photographer
  64. John Donoghue
  65. An Estimate of George Luks
  66. [On William Glackens]
  67. Selections from
  68. Rodin’s Balzac
  69. Structural Units
  70. Once More Matisse
  71. From a Hollywood Studio
  72. What is the Matter with Eisenstein?
  73. CHECKLIST OF ARTISTS NAMED IN THE ESSAYS
  74. BIBLIOGRAPHY OF ART WRITINGS BY SADAKICHI HARTMANN
  75. INDEX