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Music at the Turn of the Century
Joseph Kerman
- English
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Music at the Turn of the Century
Joseph Kerman
About This Book
Most of the essays in this book were solicited for the tenth anniversary of the journal 19th Century Music, which has sought to encourage innovative writing about music--musicological, theoretical, and/or critical writing--since its founding in 1977. We invited former contributors and some others to submit articles on the general question of the relations between nineteenth-century music and music of the early twentieth century. Responses to our invitation were published in two special issues in the spring and summer of 1987. The breadth and scope of these articles, and their collective cogency, sparked the idea of reissuing them under a single cover, as a book. --From the PrefaceThis title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1990.
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Table of contents
- Cover
- Title
- Copyright
- Contents 1
- Preface
- 1-XII-99: Tonal Rlations in Schoenberg s Verklarte Nacht
- Mirrors and Metaphors: On Schoenberg and Nineteenth-Century Tonality
- âQuotationâ and Paraphrase in Ivesâs Second Symphony
- Parallel Voice-Leading in Debussy
- Chez Petrouchka: Harmony and Tonality chez Stravinsky
- Lisztâs Experimental Idiom and Twentieth-Ce tury Music
- Decadence and D sire: The Wilhelm Meister Songs of Wolf and Schubert
- Pelleas and Power: The Reception of D bussyâs Opera
- Le Soleil des morts: Alurn-of-the-Century Portrait Gallery
- Wagner and Our Century
- Nineteenth-Century Ideas Developed in Bartoks Piano Notation, 1907â14
- Index