- 266 pages
- English
- ePUB (mobile friendly)
- Only available on web
1964, A Year in African American Performance History
About This Book
This book examines the Civil Rights Movement from the perspective of a single year, 1964.
The book analyses specific events that occurred in 1964 as benchmarks of the Civil Right Movement, making the case that 1964 was a watershed year. Each chapter considers individually politics, rhetoric, sports, dramatic literature, film, art, and music, breaking down the events and illustrating their importance to the social and political life in the United States in 1964. This study emphasizes 1964 as a nodal point in the history of the Civil Rights Movement, arguing that it was within this single year that the tide against racism and injustice turned markedly.
This book will be of great interest to the scholars and students of civil rights, theatre and performance, art history, and drama literature.
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Table of contents
- Cover Page
- Half-Title Page
- Series Page
- Title Page
- Copyright Page
- Dedication Page
- Contents
- List of Illustrations
- Acknowledgments
- 1 Introduction: Why 1964?
- 2 Words of Fire: Malcolm X, Fannie Lou Hamer, Martin Luther King, and the Rhetoric of African American Performance
- 3 Performing Manhood: Muhammad Ali and the 1964 Heavyweight Championship
- 4 Expectation, Melancholy, and Loss: Intellectualism in Funnyhouse of a Negro and Dutchman
- 5 Neorealism and Cinematic Love: Nothing but a Man, One Potato, Two Potato, and the Working Class
- 6 Romare Bearden, the 1964 Photomontage Projections, and the Art of āMaking Strangeā
- 7 Heat Wave: Feminism, Crossover, and Motown Music
- 8 Conclusion: Change Is a Long Time Coming
- Index