- 401 pages
- English
- ePUB (mobile friendly)
- Only available on web
About This Book
A revealing biography of the influential and controversial cultural titan who embodied an era
The Tastemaker explores the many lives of Carl Van Vechten, the most influential cultural impresario of the early twentieth century: a patron and dealmaker of the Harlem Renaissance, a photographer who captured the era's icons, and a novelist who created some of the Jazz Age's most salacious stories. A close confidant of Langston Hughes, Gertrude Stein, George Gershwin, F. Scott Fitzgerald, and the Knopfs, Van Vechten frolicked in the 1920s Manhattan demimonde, finding himself in Harlem's jazz clubs, Hell's Kitchen's speakeasies, and Greenwich Village's underground gay scene. New York City was a hotbed of vice as well as creativity, and Van Vechten was at the center of it all.Edward White's biographyâthe first comprehensive biography of Carl Van Vechten in nearly half a century, and the first to fully explore Van Vechten's tangled relationship to race and sexualityâdepicts a controversial figure who defined an age. Embodying many of the contradictions of modern America, Van Vechten was a devoted husband with a coterie of boys by his side, a supporter of difficult art who also loved lowbrow entertainment, and a promoter of the Harlem Renaissance whose bestselling novelâand especially its titleâinfuriated many of the same African-American artists he championed. Van Vechten's defense of what many Americans considered bad tasteâmodernist literature, African-American culture, and sexual self-expressionâcreated a popular appetite for these quintessential elements of American art. The Tastemaker encompasses its subject's private fears and longings, as well as Manhattan's raucous, taboo-busting social scene of which he was such a central part. It is a remarkable portrait of a man whose brave journeys across boundaries of race, sexuality, and taste helped make America fully modern.
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Table of contents
- Cover
- Title Page
- Copyright Notice
- Dedication
- Epigraph
- Contents
- Prologue
- 1. The Gilded Age: A Tale of Yesterday
- 2. The Cosmopolitan Standard of Virtue
- 3. That Shudder of Fascination
- 4. A Certain Sensuous Charm
- 5. How to Read Gertrude Stein
- 6. In Defense of Bad Taste
- 7. What One Is Forced by Nature to Do
- 8. An Entirely New Kind of Negro
- 9. Exotic Material
- 10. Cruel Sophistication
- 11. A Quite Gay, but Empty, Bubble That Dazzles One in Bursting
- 12. Papa Woojums
- 13. Yale May Not Think So, but Itâll Be Just Jolly
- Epilogue: The Attention That I Used to Get
- Notes
- Select Bibliography
- Acknowledgments
- Index
- Illustration Credits
- A Note About the Author
- Copyright