- 152 pages
- English
- ePUB (mobile friendly)
- Only available on web
About This Book
New Dramaturgies of Contemporary Opera is the first and only book that approaches the dramaturgy of contemporary opera from the unique perspectives of living practitioners (composers, librettists, directors, producers, singers, dramaturgs, administrators) who provide valuable first-hand insight into the coming into being of an opera today.
The edited collection captures the ethos of contemporary opera-making in the global context and serves as a timely intervention in addressing the array of heterogenous dramaturgical practices that goes into making an opera today in an era of flux. The collection is split into four parts: Part I presents the new dramaturgical considerations that the field is currently exploring; Part II investigates the ways in which non-Western cultures and perspectives can and have been represented; Part III explores the roles of space, nature, and environment in contemporary opera and finally Part IV looks at the ways in which technology has intersected with the creation of contemporary opera.
With perspectives from practitioners throughout, this collection is essential reading for advanced students, researchers, and scholars of contemporary opera as well as practicing dramaturgs in this field.
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Table of contents
- Cover Page
- Half-Title Page
- Series Page
- Title Page
- Copyright Page
- Contents
- About the Contributors
- Acknowledgments
- Introduction: Contemporary Opera and New Dramaturgies
- Part I New Dramaturgical Considerations
- Part II Representing Non-Western Cultures and Perspectives
- Part III Site-Specific Dramaturgies
- Part IV Creative Possibilities of Transmedia Dramaturgy