Cather Studies, Volume 11

Willa Cather at the Modernist Crux

Cather Studies, Ann Moseley, John J. Murphy, Robert Thacker

• Publisher: University of Nebraska Press
• Year: 2017
• ISBN:
  9781496200648
• Topic: Literature
• Subtopic: North American Literary Criticism
• Index: Literature

Willa Cather at the Modernist Crux examines Willa Cather's position in time, in aesthetics, and in the world. Born a Victorian in 1873, Cather made herself a modernist through the poems, stories, and novels she wrote and published into the twentieth century. Beginning with a prologue locating Cather's position, this volume of Cather Studies offers three sets of related essays. The first section takes up Cather's beginnings with her late nineteenth-century cultural influences. The second section explores a range of discernible direct connections with contemporary artists (Howard Pyle, Frederic Remington, and Ernest Blumenschein) and others who figured in the making of her texts. The third section focuses on The Song of the Lark, a novel that confirms Cather's shift westward and elaborates her emergent modernism. An epilogue by the editors of The Selected Letters of Willa Cather addresses how the recent availability of these letters has transformed Cather studies. Altogether, these essays detail Cather's shaping of the world of the early twentieth century and later into a singular modernism born of both inherited and newer cultural traditions.

Table of contents

• Cover
• Series Page
• Title Page
• Copyright Page
• Dedication
• Contents
• List of Illustrations
• Introduction
• Prologue
• Part 1
• 1. The Compatibility of Art and Religion for Willa Cather
• 2. Thea in Wonderland
• 3. Ántonia and Hiawatha
• Part 2
• 4. Willa Cather, Howard Pyle, and “The Precious Message of Romance”
• 5. “Then a Great Man in American Art”
• 6. Willa Cather, Ernest L. Blumenschein, and “The Painting of Tomorrow”
• 7. From “The Song of the Lark” to “Lucy Gayheart,” and “Die Walküre” to “Die Winterreise”
• 8. The Trafficking of Mrs. Forrester
• 9. The Outlandish Hands of Fred Demmler
• 10. Translating the Southwest
• Part 3
• 11. Elements of Modernism in “The Song of the Lark”
• 12. “The Earliest Sources of Gladness”
• 13. Re(con)ceiving Experience
• 14. Women and Vessels in “The Song of the Lark” and “Shadows on the Rock”
• Epilogue
• Contributors
• Index
• About Ann Moseley
• About John J. Murphy
• About Robert Thacker