Mediating Violence from Africa
eBook - ePub

Mediating Violence from Africa

Francophone Literature, Film, and Testimony after the Cold War

  1. 256 pages
  2. English
  3. ePUB (mobile friendly)
  4. Available on iOS & Android
eBook - ePub

Mediating Violence from Africa

Francophone Literature, Film, and Testimony after the Cold War

Book details
Table of contents
Citations

About This Book

Mediating Violence from Africa explores how African and non-African Francophone authors, filmmakers, editors, and scholars have packaged, interpreted, and filmed the violent histories of post–Cold War Francophone Africa. This violence, much of which unfolded in front of Western television cameras, included the use of child soldiers facilitated by the Soviet Union's castoff Kalashnikov rifles, the rise of Islamist terrorism in West Africa, and the horrific genocide against the Tutsi in Rwanda. Through close readings of fictionalized child-soldier narratives, cinematic representations of Islamist militants, genocide survivor testimony, and Western scholarship, George S. MacLeod analyzes the ways Francophone African authors and filmmakers, as well as their editors and scholarly critics, negotiate the aesthetic, political, cultural, and ethical implications of making these traumatic stories visible. MacLeod argues for the need to periodize these productions within a "post–Cold War" framework to emphasize how shifts in post-1989 political discourse are echoed, contested, or subverted by contemporary Francophone authors, filmmakers, and Western scholars. The questions raised in Mediating Violence from Africa are of vital importance today. How the world engages with and responds to stories of recent violence and loss from Africa has profound implications for the affected communities and individuals. More broadly, in an era in which stories and images of violence, from terror attacks to school shootings to police brutality, are disseminated almost instantly and with minimal context, these theoretical questions have implications for debates surrounding the ethics of representing trauma, the politicization of memory, and Africa's place in a global (as opposed to a postcolonial or Euro-African) economic and political landscape.

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Table of contents

  1. Cover
  2. Title Page
  3. Copyright Page
  4. Dedication
  5. Epigraph
  6. Contents
  7. List of Illustrations
  8. Acknowledgments
  9. Notes on Sources and Translations
  10. Introduction
  11. 1. Using the Child Soldier
  12. 2. Filming Terrorists, Filming Timbuktu
  13. 3. Rwanda’s Tutsi Survivors
  14. 4. The Celebrity Humanitarian Ally
  15. Conclusion
  16. Appendix
  17. Notes
  18. Bibliography
  19. Filmography
  20. Index
  21. About George S. MacLeod