Indigenous Films
eBook - ePub

Indigenous Films

Visualizing the Spectacle of Originary Moments in The New World

  1. 214 pages
  2. English
  3. ePUB (mobile friendly)
  4. Only available on web
eBook - ePub

Indigenous Films

Visualizing the Spectacle of Originary Moments in The New World

Book details
Table of contents
Citations

About This Book

In Settler Aesthetics, an analysis of renowned director Terrence Malick's 2005 film, The New World, Mishuana Goeman examines the continuity of imperialist exceptionalism and settler-colonial aesthetics. The story of Pocahontas has thrived for centuries as a cover for settler-colonial erasure, destruction, and violence against Native peoples, and Native women in particular. Since the romanticized story of the encounter and relationship between Pocahontas and Captain John Smith was first published, it has imprinted a whitewashed historical memory into the minds of Americans. As one of the most enduring tropes of imperialist nostalgia in world history, Renaissance European invasions of Indigenous lands by settlers trades in a falsified "civilizational discourse" that has been a focus in literature for centuries and in films since their inception. Ironically, Malick himself was a symbol of the New Hollywood in his early career, but with The New World he created a film that serves as a buttress for racial capitalism in the Americas. Focusing on settler structures, the setup of regimes of power, sexual violence and the gendering of colonialism, and the sustainability of colonialism and empires, Goeman masterfully peels away the visual layers of settler logics in The New World, creating a language in Native American and Indigenous studies for interpreting visual media.

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Table of contents

  1. Cover
  2. Series Page
  3. Title Page
  4. Copyright Page
  5. Dedication
  6. Contents
  7. List of Illustrations
  8. Series Editors’ Preface
  9. Acknowledgments
  10. Introduction
  11. 1. The Consumption of Mythic Romance and Innocence
  12. 2. Settler Aesthetics and the Making of Cinematic Geographies
  13. 3. Filmic Apologies and Indigenous Labor
  14. 4. The “New World” of Race, U.S. Law, and the Politics of Recognition
  15. Conclusion: Undoing the Spectacle
  16. Notes
  17. Bibliography
  18. Index
  19. About Mishuana Goeman
  20. Series List