- 324 pages
- English
- ePUB (mobile friendly)
- Only available on web
About This Book
Studios are, at once, material environments and symbolic forms, sites of artistic creation and physical labor, and nodes in networks of resource circulation. They are architectural places that generate virtual spacesâworlds built to build worlds. Yet, despite being icons of corporate identity, studios have faded into the background of critical discourse and into the margins of film and media history. In response, In the Studio demonstrates that when we foreground these worlds, we gain new insights into moving-image culture and the dynamics that quietly mark the worlds on our screens. Spanning the twentieth century and moving globally, this unique collection tells new stories about studio iconsâPinewood, CinecittĂ , Churubusco, and CBSâas well as about the experimental workplaces of filmmakers and artists from Aleksandr Medvedkin to Charles and Ray Eames and Hollis Frampton.
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Table of contents
- Subvention
- Title
- Copyright
- Contents
- Acknowledgments
- Introduction: Studio Perspectives
- Part One. Formations
- Part Two. Foundations
- Part Three. Alternative Routes
- Part Four. Studio Futures
- Selected Bibliography
- List of Contributors
- Index