Downcast Eyes
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Downcast Eyes

Martin Jay

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eBook - PDF

Downcast Eyes

Martin Jay

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About This Book

Long considered "the noblest of the senses, " vision has increasingly come under critical scrutiny by a wide range of thinkers who question its dominance in Western culture. These critics of vision, especially prominent in twentieth-century France, have challenged its allegedly superior capacity to provide access to the world. They have also criticized its supposed complicity with political and social oppression through the promulgation of spectacle and surveillance. Martin Jay turns to this discourse surrounding vision and explores its often contradictory implications in the work of such influential figures as Jean-Paul Sartre, Maurice Merleau-Ponty, Michel Foucault, Jacques Lacan, Louis Althusser, Guy Debord, Luce Irigaray, Emmanuel Levinas, and Jacques Derrida. Jay begins with a discussion of the theory of vision from Plato to Descartes, then considers its role in the French Enlightenment before turning to its status in the culture of modernity. From consideration of French Impressionism to analysis of Georges Bataille and the Surrealists, Roland Barthes's writings on photography, and the film theory of Christian Metz, Jay provides lucid and fair-minded accounts of thinkers and ideas widely known for their difficulty. His book examines the myriad links between the interrogation of vision and the pervasive antihumanist, antimodernist, and counter-enlightenment tenor of much recent French thought. Refusing, however, to defend the dominant visual order, he calls instead for a plurality of "scopic regimes." Certain to generate controversy and discussion throughout the humanities and social sciences, Downcast Eyes will consolidate Jay's reputation as one of today's premier cultural and intellectual historians.

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Information

Year
1993
ISBN
9780520915381
sions 
of 
modern 
ocularcentrism 
into 
question. 
Included 
among 
these 
was 
the 
typical 
Cartesian 
gesture 
of 
refusing 
to 
listen 
to 
the 
voices 
of 
the 
past 
and 
trusting 
instead 
only 
to 
what 
one 
could 
"see 
with 
one's 
eyes." 
Insofar 
as 
the 
Enlightenment 
was 
premised 
largely 
on 
that 
same 
attitude, 
the 
antiocularcentric 
discourse 
often 
took 
on 
self-consciously 
Counter-
Enlightenment 
tone. 
Here, 
however, 
am 
getting 
ahead 
of 
myself, 
for 
it 
will 
be 
necessary 
before 
analyzing 
the 
twentieth-century 
turn 
against 
vi-
sion 
to 
see 
more 
clearly 
what 
its 
target 
actually 
was. 
To 
do 
so, 
the 
role 
of 
ocularcentrism 
in 
the 
France 
so 
long 
beholden 
to 
its 
Cartesian 
point 
of 
departure 
must 
first 
be 
exposed 
to 
view. 
82 
THE 
NOBLEST 
OF 
THE 
SENSES 

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