- 223 pages
- English
- PDF
- Available on iOS & Android
California Studies in 19th-Century Music
About This Book
Just as the preoccupations of any given cultural moment make their way into the language of music, the experience of music makes its way into other arenas of life. To unearth these overlapping meanings and vocabularies from the Victorian era, Ruth A. Solie examines sources as disparate as journalism, novels, etiquette manuals, religious tracts, and teenagers' diaries for the muffled, even subterranean, conversations that reveal so much about what music meant to the Victorians. Her essays, giving voice to "what goes without saying" on the subjectâthat cultural information so present and pervasive as to go unsaidâfill in some of the most intriguing blanks in our understanding of music's history. This much-anticipated collection, bringing together new and hard-to-find pieces by an acclaimed musicologist, mines the abundant casual texts of the period to show how Victorian-era peopleâEnglish and othersâexperienced music and what they understood to be its power and its purposes. Solie's essays start from topics as varied as Beethoven criticism, Macmillan's Magazine, George Eliot's Daniel Deronda, opera tropes in literature, and the Victorian myth of the girl at the piano. They evoke common themesâincluding the moral force that was attached to music in the public mind and the strongly gendered nature of musical practice and sensibilityâand in turn suggest the complex links between the history of music and the history of ideas.
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Table of contents
- Cover
- Contents
- Prelude
- 1. BEETHOVEN AS SECULAR HUMANIST: IDEOLOGY AND THE NINTH SYMPHONY IN NINETEENTH-CENTURY CRITICISM
- 2. MUSIC IN A VICTORIAN MIRROR: MACMILLAN âS MAGAZINE IN THE GROVE YEARS
- 3. âGIRLINGâ AT THE PARLOR PIANO
- 4. BIEDERMEIER DOMESTICITY AND THE SCHUBERT CIRCLE: A REREADING
- 5. âTADPOLE PLEASURESâ: DANIEL DERONDA AS MUSIC HISTORIOGRAPHY
- 6. FICTIONS OF THE OPERA BOX
- Index