The Rite of Spring at 100
- 552 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
The Rite of Spring at 100
About This Book
When Igor Stravinsky's ballet Le Sacre du printemps (The Rite of Spring) premiered during the 1913 Paris season of Sergei Diaghilev's Ballets Russes, its avant-garde music and jarring choreography scandalized audiences. Today it is considered one of the most influential musical works of the twentieth century. In this volume, the ballet finally receives the full critical attention it deserves, as distinguished music and dance scholars discuss the meaning of the work and its far-reaching influence on world music, performance, and culture. Essays explore four key facets of the ballet: its choreography and movement; the cultural and historical contexts of its performance and reception in France; its structure and use of innovative rhythmic and tonal features; and the reception of the work in Russian music history and theory.
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Table of contents
- Cover
- Half title
- Title
- Copyright
- Dedication
- Contents
- List of Audiovisual Materials
- Foreword: A Total Artwork: Memorable Resonances and Reverberations in The Rite
- Acknowledgments
- Editorial Notes
- Introductory Essay: Stravinskyâs Russia and the Politics of Cultural Ferment
- Part I: Dancing Le sacre across the Century
- Part II: Le sacre and Stravinsky in France
- Part III: Observations on Le sacre in Russia
- Part IV: The Sounds of Le sacre
- Bibliography / Compiled
- List of Contributors
- General Index
- Index of Composers and Their Works
- Index of Choreographers