Part I
PHENOMENOLOGICAL POLITICS AND LIVABILITY
Chapter 1
Recovering the Sensus Communis
Arendtâs Phenomenology of Political Affects
Peg Birmingham
There is nearly unanimous agreement among her readers that Arendtâs political theory is rooted in the rehabilitation of action and the human capacity for beginning something new. In this telling, Arendtâs political theory emerges from and thinks against a totalitarian politics rooted in a model of fabrication that uses any and all means, usually violent, in order to achieve its ends. Arendt counters totalitarianism mythical-poetic model of the state with an unconditional celebration of the contingency and unpredictability of a plurality of actors acting in concert for the sake of the new. While this view of Arendtâs political theory is not entirely incorrect, it misses Arendtâs fundamental claim about the nature of totalitarianism, namely, that its key element is a reliance on a new type of political deception.
At the outset of Origins of Totalitarianism, prior to her analysis of anti-Semitism, imperialism, or radical evil, Arendt raises the issue of deception, considering the difference between ancient and modern sophists and their relation to truth and reality:
Plato, in his famous fight against the ancient Sophists, discovered that their âuniversal art of changing the mind by argumentsâ (Phaedrus 261) had nothing to do with truth, but aimed at opinions which by their nature are changing, and which are valid only âat the time of the agreement and as long as the agreement lasts,â (Theatetus 172).⊠The most striking difference between the ancient and modern sophists is that the ancients were satisfied with a passing victory of the argument at the expense of truth, whereas the moderns want a more lasting victory at the expense of reality.1
In these early pages of Origins of Totalitarianism, Arendt claims that the characteristic that sets totalitarianism apart from tyrannical and dictatorial regimes is precisely the modern sophistic victory at the expense of reality, which institutes a âlying world order.â Indeed, her discussion of radical evil cannot be understood apart from her continuing preoccupation with the problem of this particular kind of political deception. When Arendt writes in 1945, âThe problem of evil will be the fundamental question of post-war intellectual life in Europe,â2 she is indicating in the strongest terms possible that the problem of radical evil is by no means eradicated with the defeat of totalitarianism and this in large part because of its inseparable link to a certain kind of deception, which for her has nothing to do with what we understand by falsehood, error, or even the deliberate lie. Falsehood and error are the opposites of truth, while a deliberate lie is the intentional dissimulation of the truth; radical deception adds something new: âOne can say that to some extent fascism has added a new variation to the old art of lyingâthe most devilish variationâthat of lying the truth.â3
In her analysis of Eichmannâs thoughtlessness, Arendt returns to the type of deception at the heart of totalitarianism. Eichmannâs âthoughtlessnessâ does not mean that he lacked motives such as career advancement or a better pension plan.4 Instead, Eichmannâs thoughtlessness, the banality of his evil, lies in his utter lack of common sense, that is to say, his utter lack of engaging with reality. As Arendt puts it in the context of Eichmannâs use of clichĂ©s, âClichĂ©s, stock phrases, adherence to conventional, standardized codes of expression and conduct have the socially recognized function of protecting us against reality, that is, against the claim on our thinking attention that all events and facts make by virtue of their existence.â5 While we would be exhausted if we constantly recognized this claim, Eichmannâs thoughtlessness lay in recognizing âno such claim of reality at all.â6
A confrontation with totalitarianism, therefore, requires a recovery of a sense of reality, the condition for political action and possibility of new beginnings. Arendt articulates the centrality of this recovery in the preface to the first edition of the Origins of Totalitarianism, where she argues that confronting the event of totalitarianism requires facing up to the âshock of realityâ:
Comprehension does not mean denying the outrageous, deducing the unprecedented from precedents, or explaining phenomena by such analogies and generalities that the impact of reality and the shock of experience are no longer felt. It means, rather, examining and bearing consciously the burden which our century has placed on usâneither denying its existence nor submitting meekly to its weight.7
The claim of this chapter is that Arendt carries out a recovery of a sense of the real through a phenomenology of appearance that includes a phenomenology of the affectivity animating this sense of reality. Still further, I claim that Arendtâs âdouble phenomenologyâ articulates a recovery of a sense of reality that, as just noted, is the condition for the recovery of the political after its near-totalitarian destruction.
RECOVERING A SENSE OF THE REAL: COMMON SENSE AND THE SENSUS COMMUNIS
While it appears that Arendt turns her attention to a notion of the sensus communis only in her late work on Kant, she is already thinking a rudimentary sensus communis in The Human Condition, specifically in a section significantly titled âThe Public Realm: The Common.â Here Arendt distinguishes between two senses of the âpublic,â which she argues âare closely inter-related but not altogether identical phenomenon.â8 Arendt then states: âIt means, first, that everything that appears in public can be seen and heard by everybody and has the widest possible publicity. For us, appearanceâsomething that is being seen and heard by others as well as ourselvesâconstitutes reality.â9 This first sense of publicity as appearance as such undergirds or supports the second sense of the public, defined as the common, political space that gathers its participants like a table that both separates and brings together and separates.
Arendt develops this first sense of appearance in the first part of Life of the Mind: Thinking, titled âAppearance.â Repeating her claim that being and appearing are coincident, she now adds that appearance as such is always appearance in common: âAll sense-endowed creatures have appearance as such in common, first an appearing world and second, and perhaps even more important the fact that they themselves are appearing and disappearing creatures, that there always was a world before their arrival and there always will be a world after their departure.â10 In this later work, Arendt extends the âcommonâ beyond a common, political world to the worldliness of appearance as such. At the same time, she argues in this later work that plurality is not merely the conditio per quam of political life as she claims in The Human Condition, but is the conditio per quam of earthly life: âNothing and nobody exists in this world whose very being does not presuppose a spectator. In other words, nothing that is, insofar as it appears exists in the singular; everything that is meant to be perceived by somebody.â11 Following from this, she claims that âplurality is the law of the earth.â12
Moreover, Arendt argues that everything that appears is possessed by an urge toward self-display: âIt is indeed as though everything that is aliveâin addition to the fact that its surface is made for appearance, fit to be seen and meant to appear to othersâhas an urge to appear, to fit itself into the world of appearances by displaying and showing, not its âinner selfâ but itself as an individual.â13 Here Arendt significantly changes her position on the distinction between animal and human life articulated in The Human Condition. In the earlier work, Arendt claims that only human beings are concerned with their uniqueness, moving as they do along a rectilinear path that cuts across the cyclical path of an otherwise immortal cosmos. In Life of the Mind, Arendt claims that each and every appearing being has the urge to self-display as an individual and not merely as a member of the species. Citing the research of the Swiss biologist and zoologist Adolph Portman, Arendt argues that this âdesire to appearâ cannot be explained in functional terms; instead, she suggests, it is gratuitous, having to do with the sheer pleasure of appearing and self-display. Moreover, this urge to self-display cannot be understood in terms of something âinnerâ wanting to express itself. The self is given in its appearance, in its self-display. Again, this is not âexpressivenessâ if by that is meant that the expression reveals something âinsideâ the expression.
Critiquing the distinction between depth and surface, as if the surface owes its appearance to something hidden, Arendt argues that the self makes it appearance on the surface in its sentient, embodied relation with the world. As Kimberly Curtis beautifully puts it:
We find [in Arendt] ontology of display that suggests that reality in an appearing world such as ours is something born out of a highly charged mutual sensuous provocation between actors and spectators that is essentially aesthetic in nature. A universe alive with yearning to sense and be sensed, a universe that perpetually gives birth to its own plurality and profusion.14
Prior to the sensus communis that emerges through a plurality of judging spectators, Arendt claims a more primordial sensus communis of sensuous spectators: âTo appear always means to seem to others and this seeming varies according to the standpoint and the perspective of the spectators.â15
Our sense of reality therefore depends upon this sensuous world of appearances shared in common with a plurality of others. Indeed, as Curtis points out, our capacity to experience a world in common is âutterly dependent upon the aesthetic provocation of multiple, distinct appearing beings. If we can locate the common world at all, therefore, it is paradoxically to be found only where this provocation flourishes.â16 In other words, our capacity to sense the real depends upon a mutual provocation between and among appearing beings and this provocation is aesthetic, both sensuous and affective.
Arendtâs account of a primordial sensus communis at the level of appearance itself demonstrates the centrality of embodied life in her political theory. The plurality of perspectives that marks the Arendtian public space is inseparable from the plurality of embodied and sensual perspectives. Appearing beings, human and animal alike, are living organisms enmeshed in a matrix of material, embodied, and interdependent relationships, and the human capacity for action is inseparable from this earthly appearance. As Arendt claims in The Human Condition, âAction ⊠corresponds to the human condition of plurality, to the fact that men, not Man, live on the earth and inhabit the world.â17 As just seen, in her later work, Life of the Mind: Thinking, Arendt claims that living on the earth is already to inhabit a world. Again, the life of action (vita activa) is inseparable from the sensuous and affective habitation that marks its earthly condition. I will return to this below when addressing les enragĂ©s of the French Revolution whom Arendt calls le puissance de la terre (the power of the earth).
In her recen...