- 222 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
About This Book
In the early nineteenth century, the southern poor white had a reputation for comic vulgarity and absurd violence; postbellum writers saw him as a quaint peasant; the 1920s transformed him into a revolutionary proletarian. Of the literary treatments discussed, Steinbeck's Grapes of Wrath emerges as a skillful compromise of documentary accuracy and political daring by reviving the tradition of degeneracy. Originally published in 1976. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
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Table of contents
- Cover Page
- Title Page
- Copyright Page
- Dedication
- Contents
- Preface
- I. The Development of the Poor White Tradition
- II. The Image in the Twentieth Century
- III. Faulknerās Celebration of the Poor White Paradox
- IV. Caldwellās Politics of the Grotesque
- V. The Gastonia Strike and Proletarian Possibilities
- VI. Poor Whites, Feminists, and Marxists
- VII. Sex and Class Consciousness among the Poor Whites
- VIII. Ageeās Aesthetic of an Unimagined Existence
- IX. Steinbeckās Retreat into Artfulness
- X. The Transformation of the Poor White in the Depression
- Notes
- Selected Bibliography
- Index