The Best American Magazine Writing 2017
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The Best American Magazine Writing 2017

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The Best American Magazine Writing 2017

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About This Book

With the work of reporters under fire worldwide, this year's anthology of National Magazine Award finalists and winners is a timely reminder of the power of journalism. The pieces included here explore the fault lines in American society. Shane Bauer's visceral "My Four Months as a Private Prison Guard" ( Mother Jones ) and Sarah Stillman's depiction of the havoc wreaked on young people's lives when they are put on sex-offender registries ( The New Yorker ) examine controversial criminal-justice practices. And responses to the shocks of the recent election include Matt Taibbi's irreverent dispatches from the campaign trail ( Rolling Stone ), George Saunders's transfixing account of Trump's rallies ( The New Yorker ), and Andrew Sullivan's fears for the future of democracy ( New York ).

In other considerations of the political scene, Jeffrey Goldberg talks through Obama's foreign-policy legacy with the former president ( The Atlantic ), and Gabriel Sherman analyzes how Roger Ailes's fall sheds light on conservative media ( New York ). Linking personal stories to the course of history, Nikole Hannah-Jones looks for a school for her daughter in a rapidly changing, racially divided Brooklyn ( New York Times Magazine ), and Pamela Colloff explores how the 1966 University of Texas Tower mass shooting changed the course of one survivor's life ( Texas Monthly ). A selection of Rebecca Solnit's Harper's commentary ranges from a writer on death row to the isolation at the heart of conservatism. Becca Rothfeld ponders women waiting on love from the Odyssey to Tinder ( Hedgehog Review ). Siddhartha Mukherjee depicts the art and agony of oncology ( New York Times Magazine ). David Quammen ventures to Yellowstone to consider the future of wild places ( National Geographic ), and Mac McClelland follows a deranged expedition to Cuba in search of the ivory-billed woodpecker ( Audubon ). The collection concludes with Zandria Robinson's eloquent portrait of her father as reflected in the music he loved ( Oxford American ).

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Year
2017
ISBN
9780231543651
Shane Bauer
My Four Months as a Private Prison Guard
Chapter 1: ā€œInmates Run This Bitchā€
ā€œHave you ever had a riot?ā€ I ask a recruiter from a prison run by the Corrections Corporation of America (CCA).
ā€œThe last riot we had was two years ago,ā€ he says over the phone.
ā€œYeah, but that was with the Puerto Ricans!ā€ says a womanā€™s voice, cutting in. ā€œWe got rid of them.ā€
ā€œWhen can you start?ā€ the man asks.
I tell him I need to think it over.
I take a breath. Am I really going to become a prison guard? Now that it might actually happen, it feels scary and a bit extreme.
I started applying for jobs in private prisons because I wanted to see the inner workings of an industry that holds 131,000 of the nationā€™s 1.6 million prisoners. As a journalist, itā€™s nearly impossible to get an unconstrained look inside our penal system. When prisons do let reporters in, itā€™s usually for carefully managed tours and monitored interviews with inmates. Private prisons are especially secretive. Their records often arenā€™t subject to public-access laws; CCA has fought to defeat legislation that would make private prisons subject to the same disclosure rules as their public counterparts. And even if I could get uncensored information from private prison inmates, how would I verify their claims? I keep coming back to this question: Is there any other way to see what really happens inside a private prison?
CCA certainly seemed eager to give me a chance to join its team. Within two weeks of filling out its online application, using my real name and personal information, several CCA prisons contacted me, some multiple times.
They werenā€™t interested in the details of my rĆ©sumĆ©. They didnā€™t ask about my job history, my current employment with the Foundation for National Progress, the publisher of Mother Jones, or why someone who writes about criminal justice in California would want to move across the country to work in a prison. They didnā€™t even ask about the time I was arrested for shoplifting when I was nineteen.
When I call Winn Correctional Center in Winnfield, Louisiana, the HR lady who answers is chipper and has a smoky Southern voice. ā€œI should tell you upfront that the job only pays nine dollars an hour, but the prison is in the middle of a national forest. Do you like to hunt and fish?ā€
ā€œI like fishing.ā€
ā€œWell, there is plenty of fishing, and people around here like to hunt squirrels. You ever squirrel hunt?ā€
ā€œNo.ā€
ā€œWell, I think youā€™ll like Louisiana. I know itā€™s not a lot of money, but they say you can go from a CO to a warden in just seven years! The CEO of the company started out as a COā€ā€”a corrections officer.
Ultimately, I choose Winn. Not only does Louisiana have the highest incarceration rate in the worldā€”more than 800 prisoners per 100,000 residentsā€”but Winn is the oldest privately operated medium-security prison in the country.
I phone HR and tell her Iā€™ll take the job.
ā€œWell, poop can stick!ā€ she says.
I pass the background check within twenty-four hours.
ā€¢ ā€¢ ā€¢
Two weeks later, in November 2014, having grown a goatee, pulled the plugs from my earlobes, and bought a beat-up Dodge Ram pickup, I pull into Winnfield, a hardscrabble town of 4,600 people three hours north of Baton Rouge. I drive past the former Mexican restaurant that now serves drive-thru daiquiris to people heading home from work, and down a street of collapsed wooden houses, empty except for a tethered dog. About 38 percent of households here live below the poverty line; the median household income is $25,000. Residents are proud of the fact that three governors came from Winnfield. They are less proud that the last sheriff was locked up for dealing meth.
Thirteen miles away, Winn Correctional Center lies in the middle of the Kisatchie National Forest, 600,000 acres of Southern yellow pines crosshatched with dirt roads. As I drive through the thick forest, the prison emerges from the fog. You might mistake the dull expanse of cement buildings and corrugated metal sheds for an oddly placed factory were it not for the office-park-style sign displaying CCAā€™s corporate logo, with the head of a bald eagle inside the ā€œA.ā€
At the entrance, a guard who looks about sixty, a gun on her hip, asks me to turn off my truck, open the doors, and step out. A tall, stern-faced man leads a German shepherd into the cab of my truck. My heart hammers. I tell the woman Iā€™m a new cadet, here to start my four weeks of training. She directs me to a building just outside the prison fence.
ā€œHave a good one, baby,ā€ she says as I pull through the gate. I exhale.
I park, find the classroom, and sit down with five other students.
ā€œYou nervous?ā€ a nineteen-year-old black guy asks me. Iā€™ll call him Reynolds. (Iā€™ve changed the names and nicknames of the people I met in prison unless noted otherwise.)
ā€œA little,ā€ I say. ā€œYou?ā€
ā€œNah, I been around,ā€ he says. ā€œI seen killinā€™. My uncle killed three people. My brother been in jail, and my cousin.ā€ He has scars on his arms. One, he says, is from a shootout in Baton Rouge. The other is from a street fight in Winnfield. He elbowed someone in the face, and the next thing he knew he got knifed from behind. ā€œIt was some gang shit.ā€ He says he just needs a job until he starts college in a few months. He has a baby to feed. He also wants to put speakers in his truck. They told him he could work on his days off, so heā€™ll probably come in every day. ā€œThat will be a fat paycheck.ā€ He puts his head down on the table and falls asleep.
The human resources director comes in and scolds Reynolds for napping. He perks up when she tells us that if we recruit a friend to work here, weā€™ll get 500 bucks. She gives us an assortment of other tips: Donā€™t eat the food given to inmates; donā€™t have sex with them or you could be fined $10,000 or get ten years at hard labor; try not to get sick because we donā€™t get paid sick time. If we have friends or relatives incarcerated here, we need to report it. She hands out fridge magnets with the number of a hotline to use if we feel suicidal or start fighting with our families. We get three counseling sessions for free.
I studiously jot down notes as the HR director fires up a video of the companyā€™s CEO, Damon Hininger, who tells us what a great opportunity it is to be a corrections officer at CCA. Once a guard himself, he made $3.4 million in 2015, nearly nineteen times the salary of the director of the Federal Bureau of Prisons. ā€œYou may be brand new to CCA,ā€ Hininger says, ā€œbut we need you. We need your enthusiasm. We need your bright ideas. During the academy, I felt camaraderie. I felt a little anxiety too. That is completely normal. The other thing I felt was tremendous excitement.ā€
I look around the room. Not one personā€”not the recent high school graduate, not the former Walmart manager, not the nurse, not the mother of twins whoā€™s come back to Winn after ten years of McDonaldā€™s and a stint in the militaryā€”looks excited.
ā€œI donā€™t think this is for me,ā€ a postal worker says.
ā€œDo not run!ā€
The next day, I wake up at six a.m. in my apartment in the nearby town where I decided to live to minimize my chances of running into off-duty guards. I feel a shaky, electric nervousness as I put a pen that doubles as an audio recorder into my shirt pocket.
In class that day, we learn about the use of force. A middle-aged black instructor Iā€™ll call Mr. Tucker comes into the classroom, his black fatigues tucked into shiny black boots. Heā€™s the head of Winnā€™s Special Operations Response Team, or SORT, the prisonā€™s SWAT-like tactical unit. ā€œIf an inmate was to spit in your face, what would you do?ā€ he asks. Some cadets say they would write him up. One woman, who has worked here for thirteen years and is doing her annual retraining, says, ā€œI would want to hit him. Depending on where the camera is, he might would get hit.ā€
Mr. Tucker pauses to see if anyone else has a response. ā€œIf your personality if somebody spit on you is to knock the fuck out of him, you gonna knock the fuck out of him,ā€ he says, pacing slowly. ā€œIf a inmate hit me, Iā€™m goā€™ hit his ass right back. I donā€™t care if the cameraā€™s rolling. If a inmate spit on me, heā€™s gonna have a very bad day.ā€ Mr. Tucker says we should call for backup in any confrontation. ā€œIf a midget spit on you, guess what? You still supposed to call for backup. You donā€™t supposed to ever get into a one-on-one encounter with anybody. Period. Whether you can take him or not. Hell, if you got a problem with a midget, call me. Iā€™ll help you. Me and you can whup the hell out of him.ā€
He asks us what we should do if we see two inmates stabbing each other.
ā€œIā€™d probably call somebody,ā€ a cadet offers.
ā€œIā€™d sit there and holler ā€˜stop,ā€™ ā€ says a veteran guard.
Mr. Tucker points at her. ā€œDamn right. Thatā€™s it. If they donā€™t pay attention to you, hey, there ainā€™t nothing else you can do.ā€
He cups his hands around his mouth. ā€œStop fighting,ā€ he says to some invisible prisoners. ā€œI said, ā€˜Stop fighting.ā€™ ā€ His voice is nonchalant. ā€œYā€™all ainā€™t goā€™ to stop, huh?ā€ He makes like heā€™s backing out of a door and slams it shut. ā€œLeave your ass in there!ā€
ā€œSomebodyā€™s goā€™ win. Somebodyā€™s goā€™ lose. They both might lose, but hey, did you do your job? Hell yeah!ā€ The classroom erupts in laughter.
We could try to break up a fight if we wanted, he says, but since we wonā€™t have pepper spray or a nightstick, he wouldnā€™t recommend it. ā€œWe are not going to pay you that much,ā€ he says emphatically. ā€œThe next raise you get is not going to be much more than the one you got last time. The only thing thatā€™s important to us is that we go home at the end of the day. Period. So if them fools want to cut each other, well, happy cutting.ā€
When we return from break, Mr. Tucker sets a tear gas launcher and canisters on the table. ā€œOn any given day, they can take this facility,ā€ he says. ā€œAt chow time, there are 800 inmates and just two COs. But with just this class, we could take it back.ā€ He passes out sheets for us to sign, stating that we volunteer to be tear-gassed. If we do not sign, he says, our training is over, which means our jobs end right here. (When I later ask CCA if its staff members are required to be exposed to tear gas, spokesman Steven Owen says no.) ā€œAnybody have asthma?ā€ Mr. Tucker says. ā€œTwo people had asthma in the last class and I said, ā€˜Okay, well, Iā€™ma spray ā€™em anyway.ā€™ Can we spray an inmate? The answer is yes.ā€
Five of us walk outside and stand in a row, arms linked. Mr. Tucker tests the wind with a finger and drops a tear gas cartridge. A white cloud of gas washes over us. The object is to avoid panicking, staying in the same place until the gas dissipates. My throat is suddenly on fire and my eyes seal shut. I try desperately to breathe, but I can only choke. ā€œDo not run!ā€ Mr. Tucker shouts at a cadet who is stumbling off blindly. I double over. I want to throw up. I hear a woman crying. My upper lip is thick with snot. When our breath starts coming back, the two women linked to me hug each other. I want to hug them too. The three of us laugh a little as tears keep pouring down our cheeks.
ā€œDonā€™t ever say thank youā€
Our instructors advise us to carry a notebook to keep track of everything prisoners will ask us for. I keep one in my breast pocket and jet into the bathroom periodically to jot things down. They also encourage us to invest in a watch because when we document rule infractions it is important that we record the time precisely. A few days into training, a wristwatch arrives in the mail. One of the little knobs on its side activates a recorder. On its face there is a tiny camera lens.
On the eighth day, we are pulled from CPR class and sent inside the compound to Elmā€”one of five single-story brick buildings where the prisonā€™s roughly 1,500 inmates live. When we go through security, we are told to empty our pockets and remove our shoes and belts. This is intensely nerve-wracking: I send my watch, pen, employee ID, and pocket change through the X-ray machine. I walk through the metal detector and a CO runs a wand up and down my body and pats down my chest, back, arms, and legs.
The other cadets and I gather at a barred gate and an officer, looking at us through thick glass, turns a switch that opens it slowly. We pass through, and after the gate closes behind us, another opens ahead. On the other side, the CCA logo is emblazoned on the wall along with the words ā€œRespectā€ and ā€œIntegrityā€ and a mural of two anchors inexplicably floating at sea. Another gate clangs open and our small group steps onto the main outdoor artery of the prison: ā€œthe walk.ā€
From above, the walk is shaped like a ā€œT.ā€ It is fenced in with chain-link and covered with corrugated steel. Yellow lines divide the pavement into three lanes. Clustered and nervous, we cadets travel up the middle lane from the administration building as prisoners move down their designated side lanes. I greet inmates as they pass, trying hard to appear loose and unafraid. Some say good morning. Others stop in their tracks and make a point of looking the female cadets up and down.
We walk past the squat, dull buildings that house visitation, programming, the infirmary, and a church with a wrought-iron gate shaped into the words ā€œFreedom Chapel.ā€ Beyond it there is a mural of a fighter jet dropping a bomb into a mountain lake, water blasting skyward, and a giant bald eagle soaring overhead, backgrounded by an American flag. At the top of the T we take a left, past the chow hall and the canteen, where inmates can buy snacks, toiletries, tobacco, music players, and batteries.
The units sit along the top of the walk. Each is shaped like an ā€œXā€ and connected to the main walk by its own short, covered walk. Every unit is named after a type of tree. Most are general populat...

Table of contents

  1. Cover
  2. Title Page
  3. Copyright
  4. Contents
  5. Introduction
  6. Acknowledgments
  7. Delusion Is the Thing with Feathers
  8. Worlds Apart
  9. The Revenge of Rogerā€™s Angels
  10. The List
  11. The Improvisational Oncologist
  12. Trump Days
  13. President Trump, Seriously and ā€œAppetite for Destructionā€ and The Fury and Failure of Donald Trump
  14. Democracies End When They Are Too Democratic
  15. The Obama Doctrine
  16. Yellowstone: Wild Heart of a Continent
  17. My Four Months as a Private Prison Guard
  18. Bird in a Cage and The Ideology of Isolation and Giantess
  19. Ladies in Waiting
  20. The Reckoning
  21. Listening for the Country
  22. Permissions
  23. List of Contributors