Humor in Modern American Poetry

Rachel Trousdale

• Publisher: Bloomsbury Academic
• Year: 2017
• Print ISBN:
  9781501352607
• Edition: 1
• eBook ISBN:
  9781628920246
• Topic: Literature
• Subtopic: Literary Criticism in Poetry
• Index: Literature

Modern poetry, at least according to the current consensus, is difficult and often depressing. But as Humor in Modern American Poetry shows, modern poetry is full of humorous moments, from comic verse published in popular magazines to the absurd juxtapositions of The Cantos. The essays in this collection show that humor is as essential to the serious work of William Carlos Williams as it is to the light verse of Phyllis McGinley. For the writers in this volume, the point of humor is not to provide "comic relief," a brief counterpoint to the poem's more serious themes; humor is central to the poems' projects. These poets use humor to claim their own poetic authority; to re-define literary tradition; to show what audience they are writing for; to make political attacks; and, perhaps most surprisingly, to promote sympathy among their readers.

The essays in this book include single-author studies, discussions of literary circles, and theories of form. Taken together, they help to begin a new conversation about modernist poetry, one that treats its lighthearted moments not as decorative but as substantive. Humor defines groups and marks social boundaries, but it also leads us to transgress those boundaries; it forges ties between the writer and the reader, blurs the line between public and private, and becomes a spur to self-awareness.

Index

Abrahmson, David here

accent, humor with here–here, here

“For the Afro-American Language” (unpublished) (Pound) here

Against Interpretation (Sontag) here

agency here, here, here, here, here, here, here

Alice (Moore) here

All About H. Hatterr (Desani) here

An American Dilemma (Myrdal) here

American domesticity here–here

Anderson, Benedict here

“Andrew Marvell” (Eliot) here

Ansen, Alan here

“anthologization effect” here

anti-elitist history of poetry, case for here

“Apostrophe to a Nephew” (McGinley) here

Aristotle here, here, here

Armantrout, Rae here

Armstrong, Louis here–here

Arnold, Elizabeth here

“Art as Device” (Shklovsky) here–here, here

Artaud, Antonin here

“as” (Cummings) here

The Ascent of F6 (Auden) here, here

Ashbery, John here, here–here, here, here–here

“At the Fishhouses” (Bishop) here, here, here

Auden, W. H. here, here, here, here, here, here–here, here

“Auguries of Innocence” (Blake) here

authoritarianism here–here

The Autobiography of Alice B. Toklas (Stein) here

bagatelles here

Bailey, Jack here

Baker, Peter here, here

Bakhtin, Mikhail here, here

“The Ballad of Barnaby” (Auden) here

Barrecca, Regina here

Basler, Roy here

Bataille, Georges here

bathroom humor here–here

“The Battle” (Ashbery) here–here

Baum, S. V. here, here

bawdy humor he...

Table of contents

• Cover
• Half-Title
• Dedication
• Title
• Contents
• Notes on Contributors
• Acknowledgements
• Introduction: Theories of Humor and Modern Poetry
• Humor and Authority in Ezra Pound’sCantos
• Cummings’s Erotic Humor
• Emotional Comedies: Lorine Niedecker’s “For Paul”
• Laughing in the Gallery: Melvin Tolson’s Refusal to Hush
• Poetry and Good Humor: Marianne Moore and Elizabeth Bishop
• Convention and Mysticism: Dickinson, Hardy, Williams
• Phyllis McGinley: Defending Housewifery with a Laugh
• Tell Me the Truth: Humor, Love, and Community in Auden’s Late 1930s Poetry
• Merrill, Comedy, Conversation
• “This Comic Version of Myself”: Humor and Autobiography in John Ashbery’s Poetry and Prose
• Bibliography
• Index
• Copyright