Sonic Bodies
Reggae Sound Systems, Performance Techniques, and Ways of Knowing
- 392 pages
- English
- PDF
- Available on iOS & Android
About This Book
The reggae sound system has exerted a major influence on music and popular culture. Out on the streets of inner city Kingston, Jamaica, every night, sound systems stage dancehall sessions for the crowd to share the immediate, intensive and immersive visceral pleasures of sonic dominance. Sonic Bodies concentrates on the skilled performance of the crewmembers responsible for this signature sound of Jamaican music: the audio engineers designing, building and fine-tuning the hugely powerful "sets" of equipment; the selectors choosing the music tracks to play; and MCs(DJs) on the mic hyping up the crowd. Julian Henriques proposes that these dancehall "vibes" are taken literally as the periodic motion of vibrations. He offers an analysis of how a sound system operates - at auditory, corporeal and sociocultural frequencies. Sonic Bodies formulates a fascinating critique of visual dominance and the dualities inherent in ideas of image, text or discourse. This innovative book questions the assumptions that reason resides only in a disembodied mind, that communication is an exchange of information, and that meaning is only ever representation.
Frequently asked questions
Information
Table of contents
- Preface
- Acknowledgements
- Figures
- Preamble: Thinking Through Sound
- Introduction: Practising and Theorising Sounding
- Chapter One
- The Dancehall Scene
- Chapter Two
- Sound Systems
- Part One
- The Audio Engineer and the Material Waveband
- Chapter Three
- Fine-tuning
- Chapter Four
- Learning to Listen
- Part Two
- The Selector and the Corporeal Waveband
- Chapter Five
- Juggling
- Chapter Six
- Cut, Mix ânâ Rewind
- Part Three
- The MC and the Sociocultural Waveband
- Chapter Seven
- Voicing
- Chapter Eight
- Rhetoric and the Logic of Practice
- Chapter Nine
- Conclusion: The Sonic Logos
- Last Word: Dubwise
- Notes
- Bibliography
- Index