- 176 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
About This Book
Drummer, record producer, bandleader, jazz researcher, and cigar-chomping raconteur Barry Martyn is a New Orleans original who happens to have been born in England. Implausible though this may seem, it makes perfect sense to members of the New Orleans traditional jazz community, who view themselves as an extended family based on merit as much as nativity. For more than forty years, Martyn has been a fixture in the Crescent City's jazz scene, laying down the beat for generations of celebrated musicians and avidly promoting the city's unique musical heritage around the world. In Walking with Legends -- based on over forty hours of interviews with Martyn by fellow British jazz enthusiast and author Mick Burns -- Martyn reflects upon his life in jazz and offers a window into a musical world that few have understood, let alone witnessed from the inside.
At the age of nineteen, jazz fanatic Martyn found his way to the Crescent City and began working as a professional drummer in clubs and studios. The first white man in the United States to join a black musician's union, he eventually started his own record label and recorded hundreds of jam sessions that today are regarded as classics in Europe. In 1972, he formed the Legends of Jazz, an old-style New Orleans jazz band that toured the world and took New Orleans jazz into the American showbiz mainstream.
Martyn's life story provides unique intimate glimpses of a vanished generation of New Orleans musicians, including Louis Armstrong, Kid Sheik Cola, Harold Dejan, Joe Watkins, Albert Nicholas, Kid Thomas, Andrew Blakeney, and many others. Throughout his chronicle, Martyn highlights the continual clash of cultures that arose from an avid British pupil learning lessons of life and music from elderly African American strangers who take him under their wing both out of curiosity and self-interest. Together, they find a way to connect through music, even if the road gets a little bumpy at times.
A standard-bearer for New Orleans's jazz drumming tradition, Martyn remains one of the city's busiest musicians and most avid promoters of New Orleans music. In Walking with Legends, he honors the legacies of the African American musicians who taught and inspired him and affirms the importance of the human relationships that make the music possible.
Frequently asked questions
Information
Appendix 1
Appendix 2
AMCDâ01 | Bunk: King of the Blues |
AMCDâ02 | George Lewis, Kid Shots Madison |
AMCDâ03 | Bunk Johnson, 1944 |
AMCDâ04 | George Lewis Trios |
AMCDâ05 | Wooden Joe Nicholas |
AMCDâ06 | Bunk's Brass Band |
AMCDâ07 | BigâEye Louis Nelson |
AMCDâ08 | Bunk, 1944: Second Masters |
AMCDâ09 | Herb Morand |
AMCDâ10 | Kid Thomas: The First Recordings |
AMCDâ11 | Dink Johnson, Charlie Thompson |
AMCDâ12 | Bunk, 1944â45 |
AMCDâ13 | Emile Barnes |
AMCDâ14 | Mobile Strugglers |
AMCDâ15 | Bunk Plays Popular Songs |
AMCDâ16 | Bunk in San Francisco |
AMCDâ17 | Baby Dodds: Drum Record |
AMCDâ18 | Natty Dominique Creole Dance Band |
AMCDâ19 | Kid Ory,1944â46 |
AMCDâ20 | Kid Ory, 1948â49 |
AMCDâ21 | Oxford Vol. 1: Lewis, 1952 Party |
AMCDâ22 | Oxford Vol. 2: Lewis, 1952 Concert |
AMCDâ23 | Oxford Vol. 3: Lewis, 1952 Concert |
AMCDâ24 | Oxford Vol. 4: Lewis, 1953 Rec. |
AMCDâ25 | Oxford Vol. 5: Lewis, 1953 1st Concert |
AMCDâ26 | Oxford Vol. 6: Lewis, 1953 1st Concert |
AMCDâ27 | Oxford Vol. 7: Lewis, 1953 2nd Concert |
AMCDâ28 | Oxford Vol. 8: Lewis, 1953 2nd Concert |
AMCDâ29 | Oxford Vol. 9: Lewis, 1953 Ves/Reh/Party |
AMCDâ30 | Oxford Vol. 10: Lewis, 1955 Party |
AMCDâ31 | Oxford Vol. 11: Lewis, 1955 Concert |
AMCDâ32 | Oxford Vol. 12: Lewis, 1955 Concert |
AMCDâ33 | Oxford Vol. 13: Lewis and Lucas, 1955 |
AMCDâ34 | Oxford Vol. 14: Lewis and Lucas, 1955 |
AMCDâ35 | Oxford Vol. 15: Barbarin, 1956 Concert |
AMCDâ36 | Oxford Vol. 16: Barbarin, 1956 Concert |
AMCDâ37 | Oxford Vol. 17: Spirituals in Ragtime |
AMCDâ38 | George Lewis Band with Elmer Talbert, 1949â50 |
AMCDâ39 | Fabulous G. Lewis Band, Kentucky 1956 |
AMCDâ40 | Kid Howard: Prelude to the Revival |
AMCDâ41 | Kid Rena: Prelude to the Revival, Vol. 2 |
AMCDâ42 | Kid Ory: Green Room, Vol. 1 |
AMCDâ43 | Kid Ory: Green Room, Vol. 2 |
AMCDâ44 | John Reid Collection |
AMCDâ45 | Bunk and Mutt Carey, New York |
AMCDâ46 | Bunk and Leadbelly, New York |
AMCDâ47 | Ray Burke 's Speakeasy Boys |
AMCDâ48 | Kid Thomas: The Dance Hall Years |
AMCDâ49 | Kid Thomas: Slatter Recordings |
AMCDâ50 | Big Boy Goudie |
AMCDâ51 | John Handy: The First Recordings |
AMCDâ52 | Punch Miller, 1960 |
AMCDâ53 | Kid Thomas: Sonnets from Algiers |
AMCDâ54 | Kid Howard's La Vida Band |
AMCDâ55 | Paul Barnes's Polo Players |
AMCDâ56 | Steve Angrum, George Lewis |
AMCDâ57 | Punch Miller, Delegates of Pleasure |
AMCDâ58 | Kid Howard Olympia and Morgan Bands |
AMCDâ59 | Creole George Guesnon, George Lewis |
AMCDâ60 | Charlie Love |
AMCDâ... |
Table of contents
- Cover
- Title Page
- Copyright Page
- Contents
- Illustrations
- Foreword
- Preface
- 1941â1960 ENGLAND AND CANADA
- 1961â1972 NEW ORLEANS AND ENGLAND
- Photograph
- 1973â1984 ACROSS THE STATES AND AROUND THE WORLD
- 1985â2004 NEW ORLEANS
- Appendix 1: Barry Martyn Collection of Interviews, Historic New Orleans Collection
- Appendix 2: American Music Reissue Program
- Appendix 3: Interviewees of the National Park Service Interview Program
- Notes