G.R. EVANS is Professor Emeritus of Medieval Theology and Intellectual History at the University of Cambridge. Her many books include Belief: A Short History for Today (2006), The Church in the Early Middle Ages (2007), The University of Cambridge: A New History (2009) and The University of Oxford: A New History (2010), published by I.B.Tauris.
âIt may seem that the question of human origins has never been more controversial than today. But in this informative and elegantly written book, G.R. Evans shows how there have always been competing narratives of how the world began and about the significance of human existence. With wide-ranging scholarship and an engaging style, she offers an intriguing and thought-provoking exploration of a set of perennial questions.â
Peter Harrison, Director, Centre for the History of European Discourses, University of Queensland, formerly Andreas Idreos Professor of Science and Religion at the University of Oxford, editor of The Cambridge Companion to Science and Religion
âIn First Light G.R. Evans offers a lively survey of scores of explanations of the creation of the world across periods, continents, and disciplines. She covers Eastern as well as Western religions, âprimitiveâ myths, scientific explanations, and philosophical assessments. She continually shows unexpected similarities. But she finally gives a reluctant ânoâ to the question whether, as Eliotâs character Casaubon in Middlemarch asked, there is a single âkey to all mythologiesâ. This is a delightful work.â
Robert A. Segal, Sixth Century Professor of Religious Studies, University of Aberdeen, author of Myth: A Very Short Introduction and Theorizing About Myth
First Light
A History of Creation Myths from Gilgamesh to the God Particle
G.R. Evans
Published in 2014 by I.B.Tauris & Co. Ltd
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Distributed in the United States and Canada
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Copyright © 2014 G.R. Evans
The right of G.R. Evans to be identified as the author of this work has been asserted by her in accordance with the Copyright, Designs and Patents Act 1988.
All rights reserved. Except for brief quotations in a review, this book, or any part thereof, may not be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the publisher.
ISBN: 978 1 78076 155 8
eISBN: 978 0 85773 498 3
A full CIP record for this book is available from the British Library
A full CIP record is available from the Library of Congress
Library of Congress Catalog Card Number: available
Typeset by JCS Publishing Services Ltd, www.jcs-publishing.co.uk
Contents
List of illustrations
Preface
Introduction
PART I The universe begins
1 Disagreements about first principles
i When did the world begin?
ii Is the universe ârealâ?
iii What is the layout of the cosmos?
iv In Godâs image? Was the world made for our benefit?
PART II Why it is difficult to agree
2 What is the evidence?
3 The great rival religious theories
i Polytheisms
ii Monotheisms
iii Dualisms
4 Choosing an approach
i Classical philosophy
ii The early Christian theological synthesis
iii Just âsayingâ the world
5 Going to see
i Out of Africa
ii Redrawing the world-picture: new continents
iii Filling the empty hemisphere
iv Fact and fiction
v Created unequal?
Part III The main competing explanations
6 The beginning of the world: a one-off event?
i One creation complete and perfect
ii A single but imperfect creation
iii A single event with errors but capable of modification?
7 Creation as a system: initiation followed by a process of planned development?
i A process with built-in mechanisms for improvement?
ii Creation as a system with the Creator as supervisor?
iii The âphoenixâ theory of creation
8 The search for a key
i Is there a single underlying methodology?
ii Can âcomparative religionâ provide a unifying principle?
iii Looking inward for an answer?
Conclusion
Notes
Texts and abbreviations
Select Bibliography
Illustrations
1 Large Hadron Collider element (Public domain)
2 Head of Ptah, the Egyptian creator god of Memphis (The Walters Art Museum; public domain)
3 God as geometer, from the frontispiece of a Bible Moralisée (Public domain)
4 Virgo, Libra and Scorpio, from The Wonders of the Creation and the Curiosities of Existence by Zakariya âibn Muhammed al-Qazwini (Islamic School/Getty Images)
5 God resting after creation, Byzantine mosaic in Monreale (Public domain)
6 Adam and Eve with the Serpent, by Hans Baldung Grien (© National Gallery of Art)
7 Detail of the creation of the world, from a funerary papyrus of Serimen, priest of Amon (DEA/G. DAGLI ORTI/Getty Images)
8 Carving of Thor (Public domain)
9 The Hindu god Vishnu (Asian Art Museum, San Francisco; public domain)
10 Unusual depiction of Tara, Bodhisattva of compassion (Photo by Werner Forman/Universal Images Group/Getty Images)
11 Detail of the relief of the âTomb of the Harpiesâ from Xanthos, Turkey (British Museum; photo by Alinari via Getty Images)
12 Adam and Eve and their thirteen twins, from Zubdet ut Tevarih by Lokman (Turkish School/Bridgeman Art Library)
13 The Ancient Egyptian goddess Bes (Public domain)
14 A Native American dressed for war with a scalp, by George Townshend, Fourth Viscount and First Marquess Townshend (© National Portrait Gallery, London)
15 The Three Sisters, Blue Mountains, New South Wales (Public domain)
16 Aboriginal rock painting from the Kakadu National Park. The main figure is thought to represent Namondjok, a creation ancestor associated with various myths (Photo by Werner Forman/Universal Images Group/Getty Images)
17 Blanket based on a sand painting design. Two super-natural holy people flank the sacred maize plant, which was their gift to mortals in a creation myth (Photo by Werner Forman/Universal Images Group/Getty Images)
18 The Gilgamesh tablet (British Museum; public domain)
19 Fragment of a mosaic with Mithras, the Persian god of creation (The Walters Art Museum; public domain)
20 Large Hadron Collider in CERN, Geneva (Science Images/UIG/Getty Images)
Humans dream of their beginnings and imagine their ends.
(Boethius, Consolation, II, Prose 1)
All are but parts of o...