Ways of Seeing, Ways of Speaking

The Integration of Rhetoric and Vision in Constructing the Real

Kristie S. Fleckenstein, Sue Hum

• Publisher: Parlor Press, LLC
• Year: 2007
• ISBN:
  9781602350342
• Topic: Philosophy
• Subtopic: Aesthetics in Philosophy

The essays in Ways of Seeing, Ways of Speaking: The Integration of Rhetoric and Vision in Constructing the Real explore the intersections among image, word, and visual habits in shaping realities and subjectivities.

Table of contents

• Front cover
• Series page
• Title page
• Copyright page
• Table of contents
• Illustrations
• Acknowledgments
• Part I: Emergence
• Part II: Appropriation
• Part III: Resistance
• Conclusion: Interinanimation
• Fig. 1.1 Vico’s Frontispiece, Giambattista Vico, The New Science: Principles of the New Science Concerning the Common Nature of Nations. (3rd ed. 1744. Trans. David Marsh. London: Penguin Books, 1999).
• Fig. 1.2: Camera obscura by Athanasius Kircher, The Great Art of Light and Shadow, 1646, as a portable room from which to sketch scenes illuminated upon the blank screens inside (tabula rasa).
• Fig. 2.2: A Knowledge Machine
• Fig. 2.3: Spectroscope, from J. B. Hearnshaw The Analysis of Starlight. (Cambridge: Cambridge University Press, 1986) 36, 38. Reprinted with permission of Cambridge University Press.
• Fig. 2.4: Data/Image Reversibility
• Fig. 2.5: X-Ray Emission (NASA Image. 24 Nov 2002 <http://science.nasa.gov/chandra/>). Credit: NASA and Chandra Science Center.
• Fig. 2.6: Crab Nebula (NASA Image. 24 Nov 2002 <http://science.nasa.gov/newhome/headlines/ast28sep99_2.htm>.) Credit: NASA and Chandra Science Center.
• Fig. 2.7: Imaged Algorithmic Data (a@a_F_rActAl__a@a_ 2006. <http://newsfractal.free.fr/news4/page1.htm. Philippe de Courcy>. Used by permission.)
• Fig. 2.8: Computer Modeled Simulation (Reprinted from Science, V. 269. 8 Sept. 1995, 1384.) Reprinted with permission of Robin T. Tokmakian and Detlef Stammer.
• Fig. 3.1. Inequality of the solar apsides. From Copernicus, On the Revolutions, 163.
• Fig. 3.2. Retrograde motion of Jupiter. From Galileo, Two Chief World Systems, 343.
• Fig. 3.3. Law of uniform accelerated motion. From Galileo, Two New Sciences, 165.
• Fig. 3.4. Table of the elements. From Lavoisier, Traité, 135.
• Fig. 3.5. Uplifted square masses. From Darwin, Collected Papers, 77.
• Fig. 3.6. Dislocated square masses. From Darwin, Collected Papers, 77.
• Fig. 3.7. Overthrown crustal masses. From Darwin, Collected Papers, 78.
• Fig. 3.8. Pheasant’s wing (Reprinted from Charles Darwin. Charles Darwin’s Notebooks, 1836–1844: Geology, Transmutation of Species, Metaphysical Enquiries. Ed. Paul H. Barrett, Peter J. Gautrey, Sandra Herbert, David Kohn, Sydney Smith. Ithaca: Cornell UP, 1
• Fig. 3.9. Diagram of Divergence of Taxa. From Darwin, Origin of Species¸ end-papers.
• Fig. 3.10. Tree of Life (Reprinted from Charles Darwin. Charles Darwin’s Notebooks, 1836–1844: Geology, Transmutation of Species, Metaphysical Enquiries. Ed. Paul H. Barrett, Peter J. Gautrey, Sandra Herbert, David Kohn, Sydney Smith. Ithaca: Cornell UP, 198
• Fig. 3.11. Fish and bird lineage (Reprinted from Charles Darwin. Charles Darwin’s Notebooks, 1836–1844: Geology, Transmutation of Species, Metaphysical Enquiries. Ed. Paul H. Barrett, Peter J. Gautrey, Sandra Herbert, David Kohn, Sydney Smith. Ithaca: Cornel
• Fig. 3.12. Diversity Diagram (Reprinted from Charles Darwin. Charles Darwin’s Notebooks, 1836–1844: Geology, Transmutation of Species, Metaphysical Enquiries. Ed. Paul H. Barrett, Peter J. Gautrey, Sandra Herbert, David Kohn, Sydney Smith. Ithaca: Cornell UP
• Fig. 3.13. Descent in absence of natural selection (Reprinted from Charles Darwin. Charles Darwin’s Natural Selection: Being the Second Part of his Big Species Book written from 1856 to 1858. Ed R. C. Stauffer. London: Cambridge UP, 1975, 237.) . Used with p
• Fig. 3.14. Descent in absence of natural selection (Reprinted from Charles Darwin. Charles Darwin’s Natural Selection: Being the Second Part of his Big Species Book written from 1856 to 1858. Ed R. C. Stauffer. London: Cambridge UP, 1975, 237.) . Used with p
• Fig. 3.15. Evolutionary distance as a consequence of divergence (Reprinted from Charles Darwin. Charles Darwin’s Natural Selection: Being the Second Part of his Big Species Book written from 1856 to 1858. Ed R. C. Stauffer. London: Cambridge UP, 1975, 237.)
• Fig. 3.16. Extinction (Reprinted from Charles Darwin. Charles Darwin’s Natural Selection: Being the Second Part of his Big Species Book written from 1856 to 1858. Ed R. C. Stauffer. London: Cambridge UP, 1975, 237.) . Used with permission of Cambridge Univer
• Fig. 3.17. Germ-track of Rhabditis nigrovenosa. From Weismann, The Germ-Plasm, 196.
• Fig. 3.18. E. B. Wilson’s view of Weismann’s theory of inheritance. From Wilson, The Cell in Development and Inheritance, 13.
• Fig. 3.19. J. Maynard Smith’s view of the central dogma of molecular genetics, from John Maynard Smith. The Theory of Evolution (2nd ed., London: Penguin, 1965) 67. Reproduced by permission of Penguin Books Ltd.
• Fig. 4.1. Single-point linear perspective, as diagrammed in a picture plane.
• Fig. 4.2: The Lacanian field of vision, Jacques Lacan. The Four Fundamental Concepts of Psycho-Analysis (Trans. Alan Sheridan. New York: W. W. Norton & Co., 1973) 91. Used by permission of W. W. Norton & Company, Inc.
• Fig. 6.1. First Student Example
• Fig. 6.2. Second Student Example
• Fig. 7.1. DNA strand. Copernicus Project. 2004. <http://www.copernicusproject.ucr.edu> Used by permission.
• Fig. 7.2. Dinosaur from Jurassic Park (Juraissic Park. © 1993, Universal.)
• Fig. 7.3. Damien Hurst [sic, Schaefer’s spelling]. Gynecological table (Photo by John Schaefer). Used with permission.
• Fig. 7.4. Dolly (Photo by Associated Press). Used with permission. (AP Photo/Paul Clements) (APA 1686633).
• Fig. 7.5. Joan Truckenbrod, “Thresholding” (Used with permission.)
• Fig. 7.6. Gunther von Hagens. Bodyworlds Exhibit (Photo by CNN: used with permission.)
• Fig. 7.7. The Dream of Perfectability (Photo by James Miles: used with permission.)
• Fig. 9.1. Aerial view of crime scene (Courtesy of Warner Brothers Studio.)
• Fig. 9.2. Hero figure (Courtesy of Warner Brothers Studio.)
• Fig. 9.3. McCaleb’s check (Courtesy of Warner Brothers Studio.)
• Fig. 9.4. First Meeting (Courtesy of Warner Brothers Studio.)
• Fig. 9.5. McCaleb shooting (Courtesy of Warner Brothers Studio.)
• Fig. 9.6. Buddy Noone. (Courtesy of Warner Brothers Studio.)
• Fig. 9.7. Buddy’s death (Courtesy of Warner Brothers Studio.)
• Fig. 9.9. View of Boat. (Courtesy of Warner Brothers Studio.)