DURING THE PRESENTATION
Chapter Four
Confronting the audience
āHe speaks to Me as if I was a public meeting.ā
Queen Victoria (of Mr Gladstone ā one of her Prime Ministers)
As has been said earlier, the audience want it all to go well. But they are not totally forgiving and they will have expectations. Above all they want you to talk to them or discuss with them, not to talk at them. So keeping the audience viewpoint in mind is, like preparation, another near āmagicā formula for success. It is one that should, of course, affect your preparation as well as your delivery and manner.
Any audience faced with being on the receiving end of a formal talk thinks ahead. This process may perhaps be coloured by experience of bad or boring presentations they have attended in the past. They try to guess what it will be like. They wonder if it will be interesting, amusing, or useful ā or just short. Whatever the intention is, they wonder if it will be achieved. They look for clues to what it will be like even before you start.
This is why things like your appearance, starting on time, being seen to be organised and comfortable with the proceedings are all important. In training, for instance, people are asking questions such as: does this person know their subject? Will they be able to put it over? Will they do so in an interesting manner and, if they do, will it help me? Each member of a group is an individual, they are concerned above all with themselves. The good speaker appears to address individuals, not some amorphous entity called āthe audienceā.
More specifically, the audience wants you to:
ā¢ āKnow your stuffā.
ā¢ Look the part.
ā¢ Respect them and acknowledge their situation and views.
ā¢ Make what you say link to what they want from the talk.
ā¢ Give them sufficient information to make a considered judgement about what you say (they will weigh up your views, especially if they are going to be required to take some action at the end or after you finish speaking).
ā¢ Make them understand by the time you finish what action, if any, is needed or expected of them.
Above all, they want what you say to be: understandable, interesting and a good fit with the audience and the occasion.
Conversely, they do not want to be:
ā¢ Confused.
ā¢ Blinded with science, technicalities or jargon.
ā¢ Lost in an overcomplicated structure (or lack of one).
ā¢ Talked down to.
ā¢ Forced to struggle to understand inappropriate language.
ā¢ Made to make an enormous jump to relate what is said to their own circumstances.
And they certainly do not want to listen to someone whose lack of preparation makes it clear that they have no respect for the group.
Any audienceās attention (and certainly their respect) has to be earned. You must create a belief in your credentials for talking to them. You should build rapport between yourself and the group, make them want to listen and understand ā yet perhaps also keep an open mind throughout about what is still to come. Presentation is aided by a healthy amount of empathy on the part of the speaker.
You can do a lot worse than think long and hard about any audience you are due to address. The more you know about them the better, and some prior checking is always advisable. If the group turns out to be very different, in age or experience say, from what you prepared for, there is a strong likelihood that some of what you say to them will fall on deaf ears.
You cannot overestimate the importance of a good start. Remember the old saying: you never get a second chance to make a good first impression. The beginning is the introduction; it must set the scene, state the topic and theme (and maybe the reason for the whole thing). Do this clearly and then move into the āmeatā of the message, without too much delay.
Letās look at attention and rapport in turn.
Gaining attention
Two things can assist you here: your manner and the actual start you make. Your manner must get people saying to themselves: āThis should be interesting ā I think they know what they are talking aboutā. Here a confident manner pays dividends. If you look the part and proceed as if you are sure of yourself then the audience will take it that you are. The assumption is made that you would not be doing the talking if you did not know your stuff. But if you appear hesitant or show any sign of being ill-prepared, hey will start to worry and that presumption will evaporate.
Exactly what you say first is also important. Not so much any formalities but the first real statement or point. What this means is that you may effectively need two starts: one that deals with any administration and formalities. Then another that is the real start into the meat of what you will say. While the first needs to be engaging and done in a way that prompts acceptance of its necessity, the second is perhaps even more important. Some examples of opening techniques you might consider using include:
ā¢ News: something you know they do not know (and will want to): āGentlemen, we have hit the target. I heard just as I came into the meeting, and ā¦ā
ā¢ Not a lot of people know..., a startling or weird fact: āThe next generation of computers, being made now in Japan, can perform ten quadrillion calculations every secondā. A quadrillion, incidentally, is a number followed by 18 noughts.
The same effect might be obtained with something spoof: āThere are two kinds of people in the world, those that divide people into categories, and the restā.
ā¢ A question: actual or rhetorical and ideally designed to get people responding (at least in their minds): āHow would you like to ā¦?ā
ā¢ A quotation: whether famous or not. Something that generates a smile or links firmly to the topic this can work well: It was Oscar Wilde who said: āThere is only one thing in the world worse than being talked about, and that is not being talked aboutāā (used to introduce the public relations plan, perhaps).
ā¢ A story or anecdote: perhaps again to make a point, maybe something people know: āWe all remember the moment when the ā¦ā, or something they do not, āLast week in Singapore I got caught in the rain andā¦.ā
ā¢ A fact: preferably a striking one, or maybe challenging, provoking or surprising: āResearch shows that if we give a customer cause to complain, they are likely to tell ten other people; but if we please them they will only tell one. Not a ratio to forget becauseā¦ā
ā¢ Drama: something that surprises or shocks, or in some way delivers a punch: āThe next ten minutes can change your life. It can ā¦ā
ā¢ A gesture: something people watch and which gets their attention: āSome people in this company seem to think that money grows on trees,ā ā said while tearing up a bank note and scattering the pieces.
ā¢ History: this may be a general historical fact or one that evokes a common memory; āFive years ago, when we all knew we were at a turning point ā¦ā
ā¢ Curiosity: an oddity, something that will surprise and have people waiting (perhaps eagerly) for the link with what is going to be said ā it may be really odd or just out of context: āNow you may wonder why I should start with a reference to pachyderms; you may even wonder what it is.ā (It is a thick-skinned quadruped; apparently irrelevant but ā¦)
ā¢ Shock: something totally unexpected, maybe seemingly inappropriate, that really makes people listen (though its relevance should be clear as you proceed): āImagine this room full of dead bodies. It is a horrific thought, yet far more people than would fit...