The ABC of the projectariat
eBook - ePub

The ABC of the projectariat

Living and working in a precarious art world

Kuba Szreder, Poppy Bowers

  1. 288 Seiten
  2. English
  3. ePUB (handyfreundlich)
  4. Über iOS und Android verfĂŒgbar
eBook - ePub

The ABC of the projectariat

Living and working in a precarious art world

Kuba Szreder, Poppy Bowers

Angaben zum Buch
Buchvorschau
Inhaltsverzeichnis
Quellenangaben

Über dieses Buch

The ABC of the projectariat contributes new thinking on and practical responses to the widespread problem of precarious labour in the field of contemporary art. It works as both a critical analysis and a practical handbook, speaking to and about the vast cohort of artistic freelancers worldwide.In an accessible ABC format, the book strikes a unique balance between the practical and the theoretical: the analysis is backed up by lived experience, the arguments are rooted in concrete examples and there are suggestions for constructive action. Roughly half of the entries expose the structural underpinnings of projects and circulation, isolating traits such as opportunism, neoliberalism, inequality, fear and cynicism at the root of the condition of the projectariat. This discussion is paired with a practical account of different modes of action, such as art strikes, productive withdrawals, political struggles and better social time machines. Just as proletarians had nothing to lose but their chains, the projectarians have nothing to miss but their deadlines.

HĂ€ufig gestellte Fragen

Wie kann ich mein Abo kĂŒndigen?
Gehe einfach zum Kontobereich in den Einstellungen und klicke auf „Abo kĂŒndigen“ – ganz einfach. Nachdem du gekĂŒndigt hast, bleibt deine Mitgliedschaft fĂŒr den verbleibenden Abozeitraum, den du bereits bezahlt hast, aktiv. Mehr Informationen hier.
(Wie) Kann ich BĂŒcher herunterladen?
Derzeit stehen all unsere auf MobilgerĂ€te reagierenden ePub-BĂŒcher zum Download ĂŒber die App zur VerfĂŒgung. Die meisten unserer PDFs stehen ebenfalls zum Download bereit; wir arbeiten daran, auch die ĂŒbrigen PDFs zum Download anzubieten, bei denen dies aktuell noch nicht möglich ist. Weitere Informationen hier.
Welcher Unterschied besteht bei den Preisen zwischen den AboplÀnen?
Mit beiden AboplÀnen erhÀltst du vollen Zugang zur Bibliothek und allen Funktionen von Perlego. Die einzigen Unterschiede bestehen im Preis und dem Abozeitraum: Mit dem Jahresabo sparst du auf 12 Monate gerechnet im Vergleich zum Monatsabo rund 30 %.
Was ist Perlego?
Wir sind ein Online-Abodienst fĂŒr LehrbĂŒcher, bei dem du fĂŒr weniger als den Preis eines einzelnen Buches pro Monat Zugang zu einer ganzen Online-Bibliothek erhĂ€ltst. Mit ĂŒber 1 Million BĂŒchern zu ĂŒber 1.000 verschiedenen Themen haben wir bestimmt alles, was du brauchst! Weitere Informationen hier.
UnterstĂŒtzt Perlego Text-zu-Sprache?
Achte auf das Symbol zum Vorlesen in deinem nÀchsten Buch, um zu sehen, ob du es dir auch anhören kannst. Bei diesem Tool wird dir Text laut vorgelesen, wobei der Text beim Vorlesen auch grafisch hervorgehoben wird. Du kannst das Vorlesen jederzeit anhalten, beschleunigen und verlangsamen. Weitere Informationen hier.
Ist The ABC of the projectariat als Online-PDF/ePub verfĂŒgbar?
Ja, du hast Zugang zu The ABC of the projectariat von Kuba Szreder, Poppy Bowers im PDF- und/oder ePub-Format sowie zu anderen beliebten BĂŒchern aus Economics & Labour Economics. Aus unserem Katalog stehen dir ĂŒber 1 Million BĂŒcher zur VerfĂŒgung.

Information

Bibliography

A

  1. Abbing, Hans. 2002. Why Are Artists Poor?: The Exceptional Economy of the Arts. Amsterdam: Amsterdam University Press.
  2. Abbing, Hans. 2014. ‘Notes on the Exploitation of Poor Artists.’ In Joy Forever. Political Economy of Social Creativity, edited by MichaƂ KozƂowski, Agnieszka Kurant, Jan Sowa, Krystian Szadkowski and Kuba Szreder, 83–100. London: MayFly Books and Bęc Zmiana.
  3. Aikens, Nick, Thomas Lange, Jorinde Seijdel and Steven ten Thije, eds. 2016. What's the Use?: Constellations of Art, History, and Knowledge: A Critical Reader. Amsterdam: Valiz.
  4. Amoah, Susuana. 2020. ‘#GallerySoWhite: A Digital Exhibition Exposing Racism in Contemporary Art Spaces.’ The Conversation. 2020. theconversation.com/gallerysowhite-a-digital-exhibition-exposing-racism-in-contemporary-art-spaces-153920 (accessed 1 April 2021).
  5. An Architektur, Massimo De Angelis, and Stavros Stavrides. 2010. ‘On the Commons: A Public Interview with Massimo De Angelis and Stavros Stavrides.’ E-Flux Journal, June 2010. www.e-flux.com/journal/on-the-commons-a-public-interview-with-massimo-de-angelis-and-stavros-stavrides (accessed 1 April 2021).
  6. András, Edit. 2014. ‘Vigorous Flagging in the Heart of Europe: The Hungarian Homeland under the Right-Wing Regime.’ E-Flux Journal, September 2014. www.e-flux.com/journal/57/60438/vigorous-flagging-in-the-heart-of-europe-the-hungarian-homeland-under-the-right-wing-regime (accessed 1 April 2021).
  7. Apostol, Corina. 2015. ‘Art Workers Between Precarity and Resistance: A Genealogy.’ Artleaks Gazette, August 2015.
  8. Araeen, Rasheed. 2010. Art Beyond Art: Ecoaesthetics: A Manifesto for the 21st Century. London: Third Text Publications.
  9. Aranda, Julieta, Anton Vidokle, and Brian Kuan Wood. 2011. E-Flux Journal: Are You Working Too Much? Post-Fordism, Precarity, and the Labor of Art. Berlin; New York: Sternberg Press.
  10. Argyropoulou, Gigi. 2018. ‘Destituent Spaces and Improvised Institutions between Collectivity and Critique.’ Unpublished manuscript.
  11. Avanessian, Armen, and Suhail Malik, eds. 2016. The Time Complex: Post-Contemporary. Berlin: NAME publications.

B

  1. Badovinac, Zdenka. 2020. ‘Interdependence, or, Secrecy as the Last Universal Right.’ E-Flux Journal, June 2020. www.e-flux.com/journal/110/336891/interdependence-or-secrecy-as-the-last-universal-right (accessed 1 April 2021).
  2. Baker, Catherine. 2014. ‘The Local Workforce of International Intervention in the Yugoslav Successor States: ‘Precariat’ or ‘Projectariat’? Towards an Agenda for Future Research.’ International Peacekeeping 21(1): 91–106. doi.org/10.1080/13533312.2014.899123.
  3. Baravalle, Marco. 2018a. ‘Art Populism and the Alter-Institutional Turn.’ E-Flux Journal, March 2018. www.e-flux.com/journal/89/182464/art-populism-and-the-alter-institutional-turn (accessed 1 April 2021).
  4. Baravalle, Marco. 2018b. ‘Alter-Institutions and Art. Between Governance and Autonomy. Capture, Subjectivity, Decolonization, Governance, Acceleration, Queering, Imaginary Economics.’ Unpublished manuscript.
  5. Basekamp Group & Friends. 2013. Plausible Artworlds. S.l.: lulu.com.
  6. Bauman, Zygmunt. 1998. Globalization: The Human Con­sequences. New York: Columbia University Press.
  7. Becker, Howard S. 1984. Art Worlds. Berkeley, CA; London: University of California Press.
  8. Beech, Dave. 2019. Art and Postcapitalism: Aesthetic Labour, Automation and Value Production. London: Pluto Press.
  9. Beech, Dave, Mel Jordan and Andy Hewitt. 2011. ‘Economists Are Wrong! The Warsaw Manifesto 2011.’ In Joy Forever. Political Economy of Social Creativity, edited by MichaƂ KozƂowski, Krystian Szadkowski, Agnieszka Kurant, Jan Sowa and Kuba Szreder, 237–249. London: MayFly Books.
  10. Belfiore, Eleonora. 2004. “Auditing Culture.” International Journal of Cultural Policy 10(2): 183–202.
  11. Belting, Hans, Andrea Buddensieg and Peter Weibel, eds. 2013. The Global Contemporary and the Rise of New Art Worlds. Karlsruhe, Germany; Cambridge, MA; London, England: ZKM/Center for Art and Media; The MIT Press.
  12. Benjamin, Walter. 1970. ‘The Author as Producer.’ New Left Review, August 1970. www.newleftreview.org/?view=135 (accessed 1 April 2021).
  13. Berardi, Franco. 2009. The Soul at Work: From Alienation to Autonomy. Los Angeles: Semiotext(e).
  14. Berardini, Andrew. 2014. ‘How to Survive International Art: Notes from the Poverty Jetset.’ Momus. 1 December 2014. momus.ca/how-to-survive-international-art-notes-from-the-poverty-jetset (accessed 1 April 2021).
  15. bfamfaphd. 2014. ‘Artists Report Back.’ New York: bfamfaphd.
  16. Bishara, Hakim. 2021. ‘Over 150 Artists Call for Leon Black's Removal From MoMA's Board Over Jeffrey Epstein Financ...

Inhaltsverzeichnis

  1. Cover
  2. Endorsement
  3. Half-title page
  4. Title page
  5. Copyright page
  6. Contents
  7. Preface
  8. Acknowledgements
  9. A is for

  10. B is for

  11. C is for

  12. D is for

  13. E is for

  14. F is for

  15. G is for

  16. H is for

  17. I is for

  18. K is for

  19. L is for

  20. M is for

  21. N is for

  22. O is for

  23. P is for

  24. R is for

  25. S is for

  26. T is for

  27. V is for

  28. W is for

  29. Y is for

  30. Credits
  31. Bibliography
Zitierstile fĂŒr The ABC of the projectariat

APA 6 Citation

Szreder, K. (2021). The ABC of the projectariat ([edition unavailable]). Manchester University Press. Retrieved from https://www.perlego.com/book/3149264/the-abc-of-the-projectariat-living-and-working-in-a-precarious-art-world-pdf (Original work published 2021)

Chicago Citation

Szreder, Kuba. (2021) 2021. The ABC of the Projectariat. [Edition unavailable]. Manchester University Press. https://www.perlego.com/book/3149264/the-abc-of-the-projectariat-living-and-working-in-a-precarious-art-world-pdf.

Harvard Citation

Szreder, K. (2021) The ABC of the projectariat. [edition unavailable]. Manchester University Press. Available at: https://www.perlego.com/book/3149264/the-abc-of-the-projectariat-living-and-working-in-a-precarious-art-world-pdf (Accessed: 15 October 2022).

MLA 7 Citation

Szreder, Kuba. The ABC of the Projectariat. [edition unavailable]. Manchester University Press, 2021. Web. 15 Oct. 2022.