History of Art

Ancient Ireland

The Tempietto del Clitunno near Spoleto

English Watercolors

Absolute Artist

Klee as in Clay

Striving for Independence

Mariner

The Viola d’Amore

Female Body Image in Contemporary Art

Portraiture and Politics in Revolutionary France

Mixed Media

Francis Bedford, Landscape Photography and Nineteenth-Century British Culture

Pitchers of American Life

Duet

Ambassadors of Beauty

An Anarchitectural Body of Work

Shamanism

The Accidental Picasso Thief

Plastics

Hairwork in Victorian Literature and Culture

Frans Hals

Disaster Cinema in Historical Perspective

Colonial Objects in Early Modern Sweden and Beyond

Art and Its Geographies

Seeing Foucault's Pendulum

Ancient Egyptian and Greek Looms

From Paper-mill to Pressroom

The manufacture of mineral and lake pigments

The process of gilding and bronzing picture frames

The manufacture of earth colours

Wound Man

Chinese Art Theory II

The Inherent Potential in Art Performance

The Foxite Whigs and Visual Culture, 1780-1810

The Art of Parisian Chic

Making History with Manuscripts in Medieval and Early Modern Europe

Old Age in Art

The Routledge Companion to Race in Early Modern Artistic, Material, and Visual Production

Listen Up!

The Routledge Companion to Irish Art

Universal Prostitution and Modernist Abstraction

Sonic Sculpture and the Performative Impulse

Global Culture after Gombrich

Documenting Industry

Living Memory

The Cultural Lives of Greyhounds

Glass-making

Rogues and Scholars

Leonardo da Vinci

Ribera’s Repetitions

Art Botany in British Design Reform, 1835-1865

The Long Picturesque, or Unraveling the Rules of Art

Theorising the Artist Interview

Home and Homeland in Asian Diaspora

Body, History, Myth

Ecologies of Bronze Age Rock Art

History and Myth in Pictorial Narratives of the Russian 'Patriotic War', 1812-1914

The Gallery at Cleveland House

Pearls for the Crown

Towards a Cognitivist Understanding of Communication Design