History of Art

The Alchemy of Paint

Contemporary Art and Memory

The State of Art Criticism

Abstraction and Empathy

Reading Pictures

Rock Art and its Legacy in Myth and Art

Music and Motion – Interweaving Artistic Practice and Theory in Dance and Beyond

Gustav Klimt and Japanese Art in Fin-de-Siècle Vienna

The Atlas of World Embroidery

De Gruyter Handbook of Digital and Online Arts Marketing

Clay Works

A History of Male Photographers

Beyond Irrepresentability

Murder in the Rue Marat

The Visible World

Picturing the Romantic

At the Threshold of the Image

Dark Romanticism

Classical Taste in the Architectural World of Thomas Jefferson

Art on My Mind

Integrative Contemporary Art and Science Practices

CoDesign

Bernini Ephemeral and Preparatory Sculpture

Blackness, Symbolism, and American Modernism

The Art Market and the Museum

Shared Images

Manipulations

Reflections on Art and Culture

The Forger's Creed

Agnes Martin – Transcultural Translations

Art in a State of Siege

Mary Cassatt between Paris and New York

After Modernist Painting

Life in the Georgian Parsonage

Napoleonic Objects and their Afterlives

Exploring Ancient Sounds and Places

Subversive Esotericism and Aesthetic Radicalism

Slavery and the Invention of Dutch Art

stranged: Rethinking Defamiliarization in Literature and Visual Culture

A deep dive into Symbolism

The Monument’s End

The Unseen Truth

Art, Elitism, Authenticity and Liberty

Global Cinema Studies in Landscape Allegory

Islamic Art and Beyond

Mosaics, Empresses and Other Things in Byzantium

Drawing Pedagogy in Modern France

In praise of the backside

Queer Anatomies

Photography, Ecology and Historical Change in the Anthropocene

Theatre in Handwriting

Art of the 1980s

Pigments

A Documentary History of Art, Volume 1

Cave Art

Appreciation Post

Elements of Art

The Aesthetics of Image and Cultural Form

Decoding the Codex Borgia

Beauty and Monstrosity in Art and Culture