History of Contemporary Art

Between Art and Anthropology

Princeton Classics

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Religion and Postmodernism

Performance

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Scandinavian Design

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The Shape of Content

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Art History Publication Initiative

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Art for People's Sake

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Roots & Culture

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Art and Nature in the Anthropocene

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Princeton Studies in Cultural Sociology

The Ends of Art Criticism

Red

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Helen Frankenthaler

Bound by Creativity

Experimental Beijing

Abstraction in Reverse

Art beyond Borders

Time to Play

Femininity in Asian Women Artists' Work from China, Korea and USA

EyeMinded

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Prague, Capital of the Twentieth Century

John Heartfield and the Agitated Image

The Routledge Companion to Contemporary Art, Visual Culture, and Climate Change

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ANIMA: Critical Race Studies Otherwise

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Global Photography

Art History Publication Initiative

1971

Shine

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Humor in Global Contemporary Art

Art and Life

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Beyond the Sovereign Self

Paths to the Absolute

Brutal Aesthetics

Art, Activism, and Sexual Violence

Postinternet Art and Its Afterlives

Piet Mondrian

Art, Labour, Text and Radical Care

Pictures of Nothing

Image

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Interrogating the Visual Culture of Trumpism

Iowa and the Midwest Experience

Performative monuments

Artist, Audience, Accomplice

Symbolism, Dada, Surrealisms

Heavyweight

The Hall of Fame for Great Americans

Art of the 1980s

RSA Series in Transdisciplinary Rhetoric

RSA Series in Transdisciplinary Rhetoric

EDU:TRANSVERSAL No. 02/2024

Empire of Images

Queer World Making

The Octopus

Criticism, Art and Theory in 1970s Britain

Jewish American Identity and Erasure in Pop Art

Portrait and Place

Art and Politics During the Cold War

The Minjian Avant-Garde

Anxiety Aesthetics

Objects in Exile

Bare Bodies – Thresholding Life

Depth Effects

Figurations of Peripheries Through Arts and Visual Studies

Prairie Interlace

Claes Oldenburg's Theater of Vision

Ruth Schnell – WORKBOOK

Arts-Based Interventions and Social Change in Europe

Charting space

Translation and Transgression in the Art of Shirin Neshat

Art and Creativity in an Era of Ecocide

When Modern Became Contemporary Art

Image

The Orthodox Icon and Postmodern Art

Iowa and the Midwest Experience

Interrogating the Visual Culture of Trumpism

Performative monuments

Lifework

Artist, Audience, Accomplice

Art of the 1980s

The Octopus

Bare Bodies – Thresholding Life

Heavyweight

Biennial Boom

Symbolism, Dada, Surrealisms

Humor in Global Contemporary Art

The Hall of Fame for Great Americans

Depth Effects

Appreciation Post

Anxiety Aesthetics

Self Help Graphics at Fifty

RSA Series in Transdisciplinary Rhetoric

The Aesthetics of Image and Cultural Form

RSA Series in Transdisciplinary Rhetoric

Refiguring Modernism

The Stone Art Theory Institutes

The Stone Art Theory Institutes

Landscape into Eco Art

Refiguring Modernism

Introduction to Contemporary Art in China

Art, Activism, and Sexual Violence

Empire of Images

Queer World Making

Ruth Schnell – WORKBOOK

Criticism, Art and Theory in 1970s Britain

Art and Politics During the Cold War

Jewish American Identity and Erasure in Pop Art

The Minjian Avant-Garde

Portrait and Place

Objects in Exile

The New Monuments and the End of Man

The Artist at Home

Postinternet Art and Its Afterlives

Art, Labour, Text and Radical Care

Prairie Interlace

Figurations of Peripheries Through Arts and Visual Studies

Visual Activism in the 21st Century

Beyond the Sovereign Self

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Robert Rauschenberg and Surrealism

Arts-Based Interventions and Social Change in Europe

Weak Painting After Modernism

Paths to the Absolute

Brutal Aesthetics

Pictures of Nothing

Charting space

New Media in Art History

Translation and Transgression in the Art of Shirin Neshat

Art and Creativity in an Era of Ecocide

Art Chantry Speaks

Hungarian Art