Ancient & Classical Literary Criticism

Hesiod

The Homeric Hymns

Classicism and Other Phobias

The Transmission of Pliny's Natural History

Isocrates I

Speeches from Athenian Law

Haunted Greece and Rome

Demosthenes, Speeches 50-59

The Theban Plays

The Trojan Epic

Greek Lyric

Plato's Hippias Minor

Christians Reading Classics

How Ancient Narratives Persuade

Latin Lineages

Departing the Polis

Aristophanes and the Current Moment

Royal Traditions and the Consolidation of Power by Alexander's Successors

Alexander’s Successors and the Creation of Hellenistic Kingship

A Reading of Propertius' Elegies

The Afterlife of Apuleius

Brides, Mourners, Bacchae

Rome's Christian Empress

Rethinking the New Medievalism

Voices at Work

Greek Heroes in and out of Hades

Medea

The Orphic Hymns

The Odyssey

Pseudo-Seneca: Octavia

Martha Graham's Greek Myth-Based Dances and Her Collaboration with Isamu Noguchi

Timaeus in Paradise

Memories of Antiquity

The Kalevala

José Rizal, the Philippines, and Greco-Roman Antiquity

After Transformation

Intellectual Property

Callimachus: The Epigrams

Tereus Through the Ages

Translating Petrarch in early modern Britain

Ecologizing Late Ancient and Byzantine Worlds

The Metaphrase of Niketas Choniates’ ›History‹

Three Myths of Kingship in Early Greece and the Ancient Near East

Comedy in Literature and Popular Culture

Reading the Odyssey

Strange Instances of Time and Space in the Odyssey

Reading Homer's Iliad

Homer The Odyssey

From the Earliest Gospel to the Gospel of Mark

Classical Myth in Alfred Hitchcock's Wrong Man and Grace Kelly Films

Later Middle English Literature, Materiality, and Culture

Readings of Plato's Apology of Socrates

TROILUS & CRESSIDA

Plautus and the English Renaissance of Comedy

A Reading of Lucretius' De Rerum Natura

Augustine and Social Justice

Approaches to Greek Myth

The Odyssey

Homeric Speech and the Origins of Rhetoric

Roman Literary Culture