Literary Criticism in Drama

Encyclopedia of Literature and Criticism

John Guare

Performing History

Performing Chekhov

Fathers and Daughters in Shakespeare and Shaw

Classical Greek Theatre

May All Your Fences Have Gates

Eugene O'Neill's Creative Struggle

Wuthering Heights

Women and Cultures of Portraiture in the British Literary Renaissance

Performing the Radical

Performing the Radical

The Red and the Black

The Red and the Black

Post-Marxism, Representation, and Resistance in Tony Kushner's Political Plays

Arthur Miller’s New York

Macbeth in Modern European Culture

The Red and the Black

Shakespeare in the Theatre: Reduced Shakespeare Company

Women Staging and Restaging the Nineteenth Century

The Red and the Black

A Defence of Pretence

Shakespeare in Pakistan

Entertaining Ambiguities

Closet Drama in Early Modern England

The Red and the Black

Artistic Collaboration, Exile, and Brecht

Four Contemporary American Playwrights

The Red and the Black

Wuthering Heights

Cleopatra in Italian and English Renaissance Drama

Neighbourly Relationships in Early Modern Drama

The Red and the Black

Glancing at Dramatists' Dialogue

Narratives of Working Women in Early Modern London

Literary Case Studies in Cowardice

Shakespeare in the Age of Mass Incarceration

Samuel Beckett

Three Plays by Luis Valdez

Traditional Medicine in the Irish Literary Revival

Middleton and Time

Lucian on Reading, Performing, and the Difference

Imperial Ventures

Flann O’Brien and the European Avant-Garde, 1934–45

Unsettling Difference

Notes from the Underground

Notes from the Underground

Notes from the Underground

Ronald Harwood's Tragic Vision

The Theatres of Eighteenth-Century Weather

Shakespeare and the Poetics and Politics of Relevance

Habib Tanvir and His Legacy in Theatre

Music in English Children's Drama of the Later Renaissance

Federico García Lorca

Dante’s Performance

Illegitimate Power

The Shoemakers' Holiday

Performing Shakespeare in India

Performing Shakespeare in India

Revival