North American Literary Criticism

Melville’s Other Lives

The New View from Cane River

Modernist Authorship and Transatlantic Periodical Culture

The American Western in Canadian Literature

Walk the Barrio

The Tacky South

Lynd Ward's Wordless Novels, 1929-1937

Studies in Print Culture and the History of the Book

Reading Black Books

Uncanny Youth

Outside Literary Studies

African American Literature in Transition, 1750–1800: Volume 1

Toni Morrison and the Writing of Place

The Geographies of African American Short Fiction

The Strange Career of Racial Liberalism

Slow Narrative and Nonhuman Materialities

Renegotiating American Nationalism

Thinking Literature

Beat Feminisms

The Earliest African American Literatures

Canada to Ireland

Reading the Obscene

Geographies of Perpetration

The Symbolic Potential of the Hybrid: Anita Blake and Horror and Vampire Literature

In Hawthorne's Shadow

The Irish Voice in America

Now Comes Good Sailing

Queer Angels in Post-1945 American Literature and Culture

Imperial Educación

New American Canon

Mixed Media in Contemporary American Literature

Gothic Utterance

Reclaiming John Steinbeck

The New Negro

Mint Editions

Sound Recording Technology and American Literature

Trauma and Fictions of the "War on Terror"

The Latinx Files

Policing Intimacy

The Salt Companion to Charles Bernstein

Song of Ourselves

Monk's Notre Dame

Rethinking Fiction after the 2007/8 Financial Crisis

The Cambridge Companion to Twenty-First-Century American Poetry

Poetry at Stake

Remainders of the American Century

The People Are Missing

SUNY series, Literature . . . in Theory

The World-Literary System and the Atlantic

Urban Ecology and Intervention in the 21st Century Americas

Wild Abandon

In Search of the Utopian States of America

Black Riders

Apocalyptic Geographies

The American Weird

Modernism from the Margins

Recognition and Revelation

A Spectacular Secret

Haunted Property

Kurt Vonnegut