Dance

Appreciating Dance

Being a Ballerina

The Dance Technique of Doris Humphrey

Making Caribbean Dance

Anthropology of the Performing Arts

Made in NuYoRico

Rooted Jazz Dance

Research Methods in the Dance Sciences

Dancing in Blackness

The Intellect Handbook of Dance Education Research

Straight White Men Can’t Dance

Facing the Fire, Taking the Stage

Noh

Balanchine's Apprentice

How To Dance The Foxtrot

Matthew Bourne and His Adventures in Dance

Balanchine and Me

Care Aesthetics and the Arts

Chinese Diasporic Writers and Artists

Theatres of the Body

The Physically Disabled Dancer and the Affirmative Model of Disability

The Planetary Gestures in Eurythmy

To All Appearances

Dance and Science in the Long Nineteenth Century

The Dancer's Handbook

Dancing for Their Lives

Performing Climates

Text as Dance

Dance, Performance and Visual Art

Choreographic Practice in Online Pedagogy

Pilobolus

The Business of Ballet

Nijinsky's Feeling Mind

Capoeira Connections

A Guide to a Somatic Movement Practice

Dance Science

Onstage with Martha Graham

Broadway, Balanchine, and Beyond

Dancing with Merce Cunningham

Dance and Gender

Tap Dancing at a Glance

The History Of Dance - Ballet

Ballroom Etiquette - For Ladies And Gentlemen

Dancing Bodies of Devotion

Myth Performance in the African Diasporas

Looking at Contemporary Dance

Looking at Contemporary Dance

Bringing the Body to the Stage and Screen

The Royal Ballet: 75 Years

Dance, Human Rights, and Social Justice

Rudolf Laban

Salsa and Its Transnational Moves

Modern Dance Techniques and Teaching

Elements of Classical Ballet Technique

Maria Tallchief

Ballroom Dancing

Skolt Saami Dance

Meditative Dance Theatre in Contemporary Taiwan

Martha Graham's Greek Myth-Based Dances and Her Collaboration with Isamu Noguchi

Diamond and Juba